The gorgeous Vintage jewels are centuries old and are still adored by people who love historical art. These are fine and valuable pieces of art with a timeless beauty and appeal. Antique items never go out of fashion and are quite stylish having very artistic designs. Wearing fabulous and exquisite Vintage jewels can make you impressive and everyone would admire your choice of jewellery. The versatility of Vintage jewels makes them suitable for both casual and formal wear. Vintage jewels are valuable keepsakes that are passed from generation to generation.
Antique or Vintage jewellery is always costly as compared to modern or contemporary jewellery articles. One reason of being expensive is the rich history associated with them and also the quality of these items makes them a bit pricey. Vintage jewels are known for their high quality so if you are planning on buying Vintage articles you have to be very careful and never forget to look for the quality of the articles you are buying.
High quality jewels never lose their value over time. You can judge about the quality of these jewels by their weight. Moreover, prong settings, smooth plating and the stones should be genuine and of good quality. If stones are used in the items you are buying then make it sure that the stones are bright and gleaming.
Vintage articles are usually made of gold, silver, brass, bronze, copper, stainless steel, and with stones like pearls, opals and other gorgeous gems. Vintage jewels like other jewellery need to be taken care of if you don’t want to lose the luster and beauty. Unlike modern jewels it is very easy to keep your Vintage pieces new and shining. A number of products are available to clean Vintage articles. Soap and water should not be used to clean them. Instead use the ready made polishes easily available on the market. Jewels should always be stored in boxes to prevent them from tarnishing.
Further Reading:
===============
For More quality and unique Information on the topic of Vintage Jewellery, please visit the following reference site:
http://www.myjewelersplace.com/categories/Vintage-Jewellery/
Wednesday, March 25, 2009
Swank Men’s Jewellery
Swank men’s jewellery dates from a period not long gone by. It was fashionable when someone was wearing something trendy to describe them as swanky, and so the phrase grew to describe an era when everything was evolving into the modern and contemporary that we are more used to today. However, even though swank is a throw back to yesteryear, swank men’s jewellery is still a popular choice with buyers.
Generally swank items tend to date from the 1920’s to the 1970’s and they cover everything from designer goods to more plain and funky items. This means that just about every taste is catering for with swank jewellery. The best way to source out some swank items is to look up your nearest store.
If there isn’t a store near you there are always plenty of resources available on the Internet. This really makes swank jewellery available to everyone, which may not have been the case in the 1920’s!
Vintage swank jewellery for men is an area that can offer many unique and stunning pieces, however, theses can sometimes be quite hard to source and this is where your local swank store can help you. As well as original pieces you can also find a great selection of costume pieces which are suitable for any occasion. Many designers from that period generally worked with Bakelite, Lucite, celluloid, rhinestones, wood, plastic and metal pieces. It is perhaps the range of materials that make jewellery from this period so interesting and sought after.
Further Reading:
===============
For More quality and unique Information on the topic of Vintage Jewellery, please visit the following reference site:
http://www.myjewelersplace.com/categories/Vintage-Jewellery/
Generally swank items tend to date from the 1920’s to the 1970’s and they cover everything from designer goods to more plain and funky items. This means that just about every taste is catering for with swank jewellery. The best way to source out some swank items is to look up your nearest store.
If there isn’t a store near you there are always plenty of resources available on the Internet. This really makes swank jewellery available to everyone, which may not have been the case in the 1920’s!
Vintage swank jewellery for men is an area that can offer many unique and stunning pieces, however, theses can sometimes be quite hard to source and this is where your local swank store can help you. As well as original pieces you can also find a great selection of costume pieces which are suitable for any occasion. Many designers from that period generally worked with Bakelite, Lucite, celluloid, rhinestones, wood, plastic and metal pieces. It is perhaps the range of materials that make jewellery from this period so interesting and sought after.
Further Reading:
===============
For More quality and unique Information on the topic of Vintage Jewellery, please visit the following reference site:
http://www.myjewelersplace.com/categories/Vintage-Jewellery/
Weiss Vintage Jewellery
Weiss has always been one of the most prestigious names associated with costume jewellery. In fact, the name Weiss is on a par with some of the great designers such as, Eisenberg and Boucher. Albert Weiss was the driving force behind the Weiss company, but unfortunately they ceased trading several decades ago. Weiss vintage jewellery is still available to purchase today.
As with any type of vintage jewellery, there is always a market. Buyers like to think that they are buying a piece of history, whether it is an original or a copy of the original. At the height of the popularity Weiss jewellery knew their market and their buyers needs very well. They created two initial lines, an expensive high end line and a less expensive low end line. This was a brilliant
move to Weiss to cater for all budgets in the market. There are some jewellery designers today who ignore certain sections of the market, due to the expense of their product. To further cater for all sections of the market Weiss also created a line of collectable pieces, keeping interest alive in their product.
The Weiss hallmark is easily identifiable as “WEISS” is stamped in block print on the piece. Later pieces were hallmarked in the same way with the small difference of using script instead of block print. A later hallmark was introduced around 1951 by Albert Weiss and jewellery was hallmarked with “Albert Weiss” or “AW & Co”. Make sure when you go to buy a piece of vintage Weiss jewellery that you are getting what you are paying for by checking the hallmark closely.
Further Reading:
===============
For More quality and unique Information on the topic of Vintage Jewellery, please visit the following reference site:
http://www.myjewelersplace.com/categories/Vintage-Jewellery/
As with any type of vintage jewellery, there is always a market. Buyers like to think that they are buying a piece of history, whether it is an original or a copy of the original. At the height of the popularity Weiss jewellery knew their market and their buyers needs very well. They created two initial lines, an expensive high end line and a less expensive low end line. This was a brilliant
move to Weiss to cater for all budgets in the market. There are some jewellery designers today who ignore certain sections of the market, due to the expense of their product. To further cater for all sections of the market Weiss also created a line of collectable pieces, keeping interest alive in their product.
The Weiss hallmark is easily identifiable as “WEISS” is stamped in block print on the piece. Later pieces were hallmarked in the same way with the small difference of using script instead of block print. A later hallmark was introduced around 1951 by Albert Weiss and jewellery was hallmarked with “Albert Weiss” or “AW & Co”. Make sure when you go to buy a piece of vintage Weiss jewellery that you are getting what you are paying for by checking the hallmark closely.
Further Reading:
===============
For More quality and unique Information on the topic of Vintage Jewellery, please visit the following reference site:
http://www.myjewelersplace.com/categories/Vintage-Jewellery/
Vintage Venetian Glass Jewelery
Vintage jewelery is the perfect accessory for both casual and formal dresses. This becomes a superb way of expression of one’s personality. It has glitz of its own which raises it to the peak of beauty and charm. Vintage Venetian glass jewelery is one of the remarkable kinds of vintage jewelery.
One of the classics of the vintage glass jewelery includes Venetian Glass Vintage Charm Bracelet. This is the most fantastic collection of the Venetian glass jewelery. It consists of glass beads with caps of lacy ends. Original Pearl is used to form one bead. Some of the beads are Venetian cake beads used in weddings. Venetian foil beads are also used and have a beaded end. This beaded end is due to the smaller bead being used as the cap instead
of laces.
A classic example of the glass jewelery of vintage Venetian includes Vintage Venetian Glass earrings. Copper and sometimes gold is utilized in its making. Green beads are used which show a stunning sparkle when have a combination with gold or light copper. The dark teal or green color of the beads present a glittery effect on copper or gold line of the Venetian glass earrings.
Another classic of the vintage Venetian jewelry made in glass is the Vintage Crystal Dangle Necklace. The most appealing part of the necklace is the inclusion of beautiful brass chains which show an eye catching effect. The crystal necklace is found in many different colors; colors of vintage necklaces include red, pink, purple, yellow, green, aqua, cobalt blue, true blue, light blue and many more.
Further Reading:
===============
For More quality and unique Information on the topic of Vintage Jewellery, please visit the following reference site:
http://www.myjewelersplace.com/categories/Vintage-Jewellery/
One of the classics of the vintage glass jewelery includes Venetian Glass Vintage Charm Bracelet. This is the most fantastic collection of the Venetian glass jewelery. It consists of glass beads with caps of lacy ends. Original Pearl is used to form one bead. Some of the beads are Venetian cake beads used in weddings. Venetian foil beads are also used and have a beaded end. This beaded end is due to the smaller bead being used as the cap instead
of laces.
A classic example of the glass jewelery of vintage Venetian includes Vintage Venetian Glass earrings. Copper and sometimes gold is utilized in its making. Green beads are used which show a stunning sparkle when have a combination with gold or light copper. The dark teal or green color of the beads present a glittery effect on copper or gold line of the Venetian glass earrings.
Another classic of the vintage Venetian jewelry made in glass is the Vintage Crystal Dangle Necklace. The most appealing part of the necklace is the inclusion of beautiful brass chains which show an eye catching effect. The crystal necklace is found in many different colors; colors of vintage necklaces include red, pink, purple, yellow, green, aqua, cobalt blue, true blue, light blue and many more.
Further Reading:
===============
For More quality and unique Information on the topic of Vintage Jewellery, please visit the following reference site:
http://www.myjewelersplace.com/categories/Vintage-Jewellery/
Vintage Jewellery Box
The jewellery box can say a lot about the piece of jewellery even before the box is opened! Jewellery boxes are both functional and decorative. Everyone wants to receive jewellery, but the experience can be made even more special if the jewellery is presented beautifully in an immaculate jewellery box. This is especially true of a vintage jewellery box with the most famous of these being the blue box from Tiffany & Co.
Of course the term jewellery box not only refers to the case in which the jewellery arrived but also where the jewellery is stored from that moment on. Jewellery boxes are functional and an excellent way of keeping all your jewellery together in the one place. Again designers have responded to changes in the market and there are jewellery boxes available in every shape or size – literally! One of the most popular jewellery boxes for children and young adult are the musical jewellery box. Traditional these boxes on opening played a tune while they remained open. They are a firm favourite with children and add another facet to the box and give it a magical appeal.
Jewellery boxes made expressly for adults tend to be more functional and they range from the vintage boxes to the more modern and contemporary designs. However, both types have the one goal in mind. All jewellery boxes want to be as functional as possible with different sections for different types of jewellery. Most boxes provide a section for a chain and necklace wardrobe, which is a super idea as it stops all your chains getting tangled. Some even thoughtfully provide a travelling jewellery box. Vintage or contemporary, the choice is yours!
Further Reading:
===============
For More quality and unique Information on the topic of Vintage Jewellery, please visit the following reference site:
http://www.myjewelersplace.com/categories/Vintage-Jewellery/
Of course the term jewellery box not only refers to the case in which the jewellery arrived but also where the jewellery is stored from that moment on. Jewellery boxes are functional and an excellent way of keeping all your jewellery together in the one place. Again designers have responded to changes in the market and there are jewellery boxes available in every shape or size – literally! One of the most popular jewellery boxes for children and young adult are the musical jewellery box. Traditional these boxes on opening played a tune while they remained open. They are a firm favourite with children and add another facet to the box and give it a magical appeal.
Jewellery boxes made expressly for adults tend to be more functional and they range from the vintage boxes to the more modern and contemporary designs. However, both types have the one goal in mind. All jewellery boxes want to be as functional as possible with different sections for different types of jewellery. Most boxes provide a section for a chain and necklace wardrobe, which is a super idea as it stops all your chains getting tangled. Some even thoughtfully provide a travelling jewellery box. Vintage or contemporary, the choice is yours!
Further Reading:
===============
For More quality and unique Information on the topic of Vintage Jewellery, please visit the following reference site:
http://www.myjewelersplace.com/categories/Vintage-Jewellery/
Vintage Gold Jewelry Makers Mark
Vintage gold jewelry is very expensive and valuable and therefore steps must be taken to ensure that the jewelry is original. Jewelry can be lost as a result of theft or a person may misplace it. The vintage gold jewelry makers mark emphasizes upon the factor of any mislead to the purchaser. The jewelry maker’s mark enables the customer to have any replacement and repair benefits in case the jewelry wears out or shows any signs of bad quality or disorders of manufacture.
Basically the maker’s mark or sometimes known as hallmark on the piece of vintage jewelry does not represent the quality of the gold jewelry. It is just the name of the brand which the company uses. Any word can be taken for the brand name; this has nothing to do with the genuineness of the gold vintage jewelry.
This mark of vintage gold jewelry makers can be pointing towards
any thing; it can be the manufacturer’s name or the particular kind of jewelry which the manufacturer represents with. The manufacturing company categorizes the different forms of jewelry according to their own specifications and customer demands. The brand name can also be set according to that specification.
The makers mark is although not a worrying factor for the vintage gold jewelry, but to eradicate the curiosity of the brand name, steps can be taken to know the particulars of the maker’s mark. The hallmark is always covered with soot from candles. Then cellophane tape is used to cover this soot, which is smoothly placed over it and pressed upon the mark. For the mark of vintage gold jewelry makers to be visible enough for a naked eye, the cellophane used on the mark can be removed and placed onto blank white paper with its sticky side down. In this way the mark is visible with clarity through tape.
Further Reading:
===============
For More quality and unique Information on the topic of Vintage Jewellery, please visit the following reference site:
http://www.myjewelersplace.com/categories/Vintage-Jewellery/
Basically the maker’s mark or sometimes known as hallmark on the piece of vintage jewelry does not represent the quality of the gold jewelry. It is just the name of the brand which the company uses. Any word can be taken for the brand name; this has nothing to do with the genuineness of the gold vintage jewelry.
This mark of vintage gold jewelry makers can be pointing towards
any thing; it can be the manufacturer’s name or the particular kind of jewelry which the manufacturer represents with. The manufacturing company categorizes the different forms of jewelry according to their own specifications and customer demands. The brand name can also be set according to that specification.
The makers mark is although not a worrying factor for the vintage gold jewelry, but to eradicate the curiosity of the brand name, steps can be taken to know the particulars of the maker’s mark. The hallmark is always covered with soot from candles. Then cellophane tape is used to cover this soot, which is smoothly placed over it and pressed upon the mark. For the mark of vintage gold jewelry makers to be visible enough for a naked eye, the cellophane used on the mark can be removed and placed onto blank white paper with its sticky side down. In this way the mark is visible with clarity through tape.
Further Reading:
===============
For More quality and unique Information on the topic of Vintage Jewellery, please visit the following reference site:
http://www.myjewelersplace.com/categories/Vintage-Jewellery/
Vintage Jasperware Jewelry
Vintage jasperware brooches are a very elegant classic in the vintage jasperware jewelry. Brooches are a kind of jewelry which is popular since ages and is being considered the vital part of the costumes when formal dressing is discussed upon.
An example of 1930’s to 1940’s brooch is available in the modern markets; it is made of sterling silver and is small in size. Due to this factor it is known as cameo brooch by the ordinary people of today. Blue background is used in it and the brooch pin measures 2 1/8’’ by 1 3/8’’. Delphinus and Amphrite are portrayed in the cameo brooch.
The setting mark of the brooch is “Silver” and the brooch’s back contains mark of wedgewood. The clasp of the brooch is in excellent working condition, in turn making the brooch work well. Initially the clasp was set unevenly but at later stages the slight angle of the clasp was
removed and it was brought into a perfect condition, which could meet the demands of the customers.
Other forms of jewelry of vintage jasperware brooches and pins are also available in the modern markets. These brooches and pins of different forms are organized in categories and sub-categories.
There are signed pieces of brooch jewelry too; some of the well known names are David Andersen, Aksel Holmsen, Stavre Gregor Panis, Otto Robert Bade, Carl Frydensberg, and George Jensen. Their collection presents sterling silver brooches from around the world. There are many different countries from which the jasperware jewelry designs show inspiration.
Genuine vintage brooches and pins jewelry along with stones containing spikes are also widely available. Many items of the jewelry of vintage jasperware are hand made and bring about a very remarkable market. They are made as combinations of many unique items; out of them sterling silver ornamentals are big considerations.
Further Reading:
===============
For More quality and unique Information on the topic of Vintage Jewellery, please visit the following reference site:
http://www.myjewelersplace.com/categories/Vintage-Jewellery/
An example of 1930’s to 1940’s brooch is available in the modern markets; it is made of sterling silver and is small in size. Due to this factor it is known as cameo brooch by the ordinary people of today. Blue background is used in it and the brooch pin measures 2 1/8’’ by 1 3/8’’. Delphinus and Amphrite are portrayed in the cameo brooch.
The setting mark of the brooch is “Silver” and the brooch’s back contains mark of wedgewood. The clasp of the brooch is in excellent working condition, in turn making the brooch work well. Initially the clasp was set unevenly but at later stages the slight angle of the clasp was
removed and it was brought into a perfect condition, which could meet the demands of the customers.
Other forms of jewelry of vintage jasperware brooches and pins are also available in the modern markets. These brooches and pins of different forms are organized in categories and sub-categories.
There are signed pieces of brooch jewelry too; some of the well known names are David Andersen, Aksel Holmsen, Stavre Gregor Panis, Otto Robert Bade, Carl Frydensberg, and George Jensen. Their collection presents sterling silver brooches from around the world. There are many different countries from which the jasperware jewelry designs show inspiration.
Genuine vintage brooches and pins jewelry along with stones containing spikes are also widely available. Many items of the jewelry of vintage jasperware are hand made and bring about a very remarkable market. They are made as combinations of many unique items; out of them sterling silver ornamentals are big considerations.
Further Reading:
===============
For More quality and unique Information on the topic of Vintage Jewellery, please visit the following reference site:
http://www.myjewelersplace.com/categories/Vintage-Jewellery/
Saturday, March 21, 2009
How to clean your vintage jewelry?
The methods should vary according to the piece. If it consists entirely of metal (such as a gold chain or silver brooch) - then I would highly recommend purchasing an ultrasonic cleaner. There are many different models out there and most recommend using their cleaning solution which of course provides the manufacturer a never ending income.
We found a very nice unit that can be used with distilled or tap water and or distilled/tap water with a drop or two of dish washing liquid. It does a wonderful job! But beware! This type of cleaning is not suitable for all jewelry. If your jewelry has stones attached then you must carefully evaluate the stones, settings and overall condition, Soft materials such as pearls; opals, coral and others will be damaged by the ultrasonic waves!
We never submerge any stones that have a foil backing. If the stones are not prong set then be aware that the glue may break loose and the stone/stones may become loose. Be prepared to re-glue the stones and always, always check the strainer basket, water and piece cleaned before throwing out the water used!
You will probably want to have some good slow drying glue designed for jewelry available. We have had good success with UHU twist and glue. Do not use the new fast drying glues. You have no margin of error when placing the stones and their composition is hard on foil backing. Clean up should you place too much glue in the setting is near impossible!
After the ultrasonic bath - we recommend placing the freshly cleaned jewelry on a soft towel and then taking your hand held hair dryer and gently drying the piece. Be careful not to cook the piece! Gently dry and then leave it out in a warm dry area. We usually dry a piece or pieces, let it sit for an hour or so and then dry it again. We always let a piece sit out (on a different towel) for several days before storing. Moisture can be very devastating to your prized pieces!
As we discussed - some pieces are not suitable for the ultrasonic cleaner. For these pieces, we recommend the basic cleaning with Q-tips and clean water. On some occasions, we will use the suds from dishwashing solution. Jewelry that has rhinestones with foil backing should never be submerged.
The moisture can seep between the stone and the foil and leave dark spots or even destroy the foil entirely. It can also serve to help loosen the glue. Be very careful and always dry your jewelry after cleaning. Even when just using a damp Q-tip.
These fortunate pieces have survived decades and are now entrusted to you and your care. Please treat them accordingly. You now own a piece of history so please take the time to treat it as such. If we should be caught out in the rain or a damp night - my lovely wife will dry her treasured vintage jewelry upon our return. This jewelry has survived upwards to fifty years and beyond. Now, YOU are its worst enemy or best friend.
Some pieces may require a more intensive cleaning than a Q-tip can provide.
A soft bristled toothbrush often will work quite well. No toothpaste - only water or foamy soapsuds. Never use an old toothbrush. Toothpaste is abrasive and there may be remnants left on the brush. Some pieces may need even more assistance to get the dirt and grime out of the recessed areas. Before scraping - try to restore that wonderful sheen lost over the years. Some experts suggest using a dental pick against metal - we recommend a gentler approach.
Any superstore or pharmacy should sell dental floss sticks - usually a C shaped head with dental floss stretched tight across the C and a handle that comes into a nice thin point. The added benefit of these is you can use them for their intended purpose and then set them aside and use them for those tiny little areas of your precious treasures. Healthy gums and jewelry for the same price!
Patina - What is patina? It’s the green gunk you might see on your vintage jewelry. Either the plating was poorly done - it might have been damaged at some point in time and this green almost algae like growth has occurred. What can you do to repair this? Have the item re-plated is about the only solution.
Sometimes it works - sometimes it causes more problems than it solves. The problem with patina is that the item is already damaged the integrity of this lovely item. The plating is already damaged. It has been eaten away and the patina is a rust like or cancerous material on your treasure. Sometimes, it can actually accent the item.
As a general rule though - patina is not desirable on jewelry. Some will try to remove it with a pencil eraser (our personal preference). Some will try vinegar on a cue tip or even catsup applied with a cue tip for about five minutes. The advantage of the catsup is that it should stay where applied and should not affect the other areas. It does have a vinegar (acidic base) that will devour the green “cancer”. The ultrasonic cleaner will also remove this growth. BUT, you have not cured anything.
The piece has had damage. You have removed a never healing scab and it will surely re-appear. The metal plating is gone forever. The surface has been damaged! Each time you clean it to remove the growth - you have removed a little more of the existing plating.
Some recommend cleaning and drying thoroughly and then coating with a clear coating such as fingernail polish. Beware though - should you choose this method - it will probably bond to the other plating and should it suffer an injury or you try to clean again - you may end up removing even more of the plating. Be very careful.
Although this jewelry is well designed and crafted - it was never expected to last his long. It was designed for an event or perhaps even a season or two. Yet now, it is an ever increasing investment!
You have a piece of history and artwork that if treated accordingly - will last for many more years and become either a heirloom or retirement asset. Or junk - your choice!
Further Reading:
===============
For More quality and unique Information on the topic of Vintage Jewellery, please visit the following reference site:
http://www.myjewelersplace.com/categories/Vintage-Jewellery/
We found a very nice unit that can be used with distilled or tap water and or distilled/tap water with a drop or two of dish washing liquid. It does a wonderful job! But beware! This type of cleaning is not suitable for all jewelry. If your jewelry has stones attached then you must carefully evaluate the stones, settings and overall condition, Soft materials such as pearls; opals, coral and others will be damaged by the ultrasonic waves!
We never submerge any stones that have a foil backing. If the stones are not prong set then be aware that the glue may break loose and the stone/stones may become loose. Be prepared to re-glue the stones and always, always check the strainer basket, water and piece cleaned before throwing out the water used!
You will probably want to have some good slow drying glue designed for jewelry available. We have had good success with UHU twist and glue. Do not use the new fast drying glues. You have no margin of error when placing the stones and their composition is hard on foil backing. Clean up should you place too much glue in the setting is near impossible!
After the ultrasonic bath - we recommend placing the freshly cleaned jewelry on a soft towel and then taking your hand held hair dryer and gently drying the piece. Be careful not to cook the piece! Gently dry and then leave it out in a warm dry area. We usually dry a piece or pieces, let it sit for an hour or so and then dry it again. We always let a piece sit out (on a different towel) for several days before storing. Moisture can be very devastating to your prized pieces!
As we discussed - some pieces are not suitable for the ultrasonic cleaner. For these pieces, we recommend the basic cleaning with Q-tips and clean water. On some occasions, we will use the suds from dishwashing solution. Jewelry that has rhinestones with foil backing should never be submerged.
The moisture can seep between the stone and the foil and leave dark spots or even destroy the foil entirely. It can also serve to help loosen the glue. Be very careful and always dry your jewelry after cleaning. Even when just using a damp Q-tip.
These fortunate pieces have survived decades and are now entrusted to you and your care. Please treat them accordingly. You now own a piece of history so please take the time to treat it as such. If we should be caught out in the rain or a damp night - my lovely wife will dry her treasured vintage jewelry upon our return. This jewelry has survived upwards to fifty years and beyond. Now, YOU are its worst enemy or best friend.
Some pieces may require a more intensive cleaning than a Q-tip can provide.
A soft bristled toothbrush often will work quite well. No toothpaste - only water or foamy soapsuds. Never use an old toothbrush. Toothpaste is abrasive and there may be remnants left on the brush. Some pieces may need even more assistance to get the dirt and grime out of the recessed areas. Before scraping - try to restore that wonderful sheen lost over the years. Some experts suggest using a dental pick against metal - we recommend a gentler approach.
Any superstore or pharmacy should sell dental floss sticks - usually a C shaped head with dental floss stretched tight across the C and a handle that comes into a nice thin point. The added benefit of these is you can use them for their intended purpose and then set them aside and use them for those tiny little areas of your precious treasures. Healthy gums and jewelry for the same price!
Patina - What is patina? It’s the green gunk you might see on your vintage jewelry. Either the plating was poorly done - it might have been damaged at some point in time and this green almost algae like growth has occurred. What can you do to repair this? Have the item re-plated is about the only solution.
Sometimes it works - sometimes it causes more problems than it solves. The problem with patina is that the item is already damaged the integrity of this lovely item. The plating is already damaged. It has been eaten away and the patina is a rust like or cancerous material on your treasure. Sometimes, it can actually accent the item.
As a general rule though - patina is not desirable on jewelry. Some will try to remove it with a pencil eraser (our personal preference). Some will try vinegar on a cue tip or even catsup applied with a cue tip for about five minutes. The advantage of the catsup is that it should stay where applied and should not affect the other areas. It does have a vinegar (acidic base) that will devour the green “cancer”. The ultrasonic cleaner will also remove this growth. BUT, you have not cured anything.
The piece has had damage. You have removed a never healing scab and it will surely re-appear. The metal plating is gone forever. The surface has been damaged! Each time you clean it to remove the growth - you have removed a little more of the existing plating.
Some recommend cleaning and drying thoroughly and then coating with a clear coating such as fingernail polish. Beware though - should you choose this method - it will probably bond to the other plating and should it suffer an injury or you try to clean again - you may end up removing even more of the plating. Be very careful.
Although this jewelry is well designed and crafted - it was never expected to last his long. It was designed for an event or perhaps even a season or two. Yet now, it is an ever increasing investment!
You have a piece of history and artwork that if treated accordingly - will last for many more years and become either a heirloom or retirement asset. Or junk - your choice!
Further Reading:
===============
For More quality and unique Information on the topic of Vintage Jewellery, please visit the following reference site:
http://www.myjewelersplace.com/categories/Vintage-Jewellery/
Marcasite – a Modern Day Piece of Vintage Jewelry
What is Marcasite?
Marcasite is a natural mineral that is called iron sulfide and is often mined in South America although it is found naturally all around the world and marcasite is related to iron pyrite which is also called “Fools Gold” due to its likeness to gold but relative low value – miners would mistake iron pyrite for gold when staking a claim and only realising their mistake later.
The color of marcasite ranges from dark grey to black often with sparks of yellow or gold throughout the stone. As with all natural stones, the color can differ slightly. Marcasite was considered to reduce negative energy and improve communication.
Marcasite Becoming Fashionable
Marcasite jewelry became fashionable in the Victorian era – its black color was popular at the time especially at the end of the Queens reign when sombre clothing and adornment were the vogue. Cameo pendants and brooches/pins were especially popular and there are many examples of the dark marcasite contrasting with ivory.
Marcasite Today
Modern marcasite jewelry is now fashionable due to its links with the past. A whole niche has been created for what is often called “vintage style” where traditional materials are used to make new, fashionable pieces and are often seen being worn my a selection of celebrities who enjoy the style.
Taking Care and Cleaning Marcasite
Often, marcasite is secured in its setting with jeweler’s cement and because of this, it may require special cleaning.
Do
Wipe gently with a soft and clean damp cloth.
Dry with a clean, soft and absorbent cloth.
Use a towel to ensure that the piece is entirely dry.
Don’t
Use a steamer, hot water or sonic cleaner
Expose to chemicals or cleaning agents
Expose to extreme heat
Soak in water
As with all jewelry, a bit of care and patience gives its own reward with longer lasting pieces.
Further Reading:
===============
For More quality and unique Information on the topic of Vintage Jewellery, please visit the following reference site:
http://www.myjewelersplace.com/categories/Vintage-Jewellery/
Marcasite is a natural mineral that is called iron sulfide and is often mined in South America although it is found naturally all around the world and marcasite is related to iron pyrite which is also called “Fools Gold” due to its likeness to gold but relative low value – miners would mistake iron pyrite for gold when staking a claim and only realising their mistake later.
The color of marcasite ranges from dark grey to black often with sparks of yellow or gold throughout the stone. As with all natural stones, the color can differ slightly. Marcasite was considered to reduce negative energy and improve communication.
Marcasite Becoming Fashionable
Marcasite jewelry became fashionable in the Victorian era – its black color was popular at the time especially at the end of the Queens reign when sombre clothing and adornment were the vogue. Cameo pendants and brooches/pins were especially popular and there are many examples of the dark marcasite contrasting with ivory.
Marcasite Today
Modern marcasite jewelry is now fashionable due to its links with the past. A whole niche has been created for what is often called “vintage style” where traditional materials are used to make new, fashionable pieces and are often seen being worn my a selection of celebrities who enjoy the style.
Taking Care and Cleaning Marcasite
Often, marcasite is secured in its setting with jeweler’s cement and because of this, it may require special cleaning.
Do
Wipe gently with a soft and clean damp cloth.
Dry with a clean, soft and absorbent cloth.
Use a towel to ensure that the piece is entirely dry.
Don’t
Use a steamer, hot water or sonic cleaner
Expose to chemicals or cleaning agents
Expose to extreme heat
Soak in water
As with all jewelry, a bit of care and patience gives its own reward with longer lasting pieces.
Further Reading:
===============
For More quality and unique Information on the topic of Vintage Jewellery, please visit the following reference site:
http://www.myjewelersplace.com/categories/Vintage-Jewellery/
Knowing Your Antique & Vintage Jewelry
To wear and enjoy a beautiful piece of antique and vintage jewelry with a history behind can be a wonderful, exhilarating experience. For many it is a lovingly addicting hobby. The more you collect, the more you want to collect! It's that exciting! But when buying these jewels of yesterday, how can one be certain that what they are buying is truly authentic and not relatively new and/or of it's claimed value? It's always advisable to buy from reputable dealers who guarantee their items plus learning what to look for in a piece. Attend Antique & Collectable Shows, browse Antique Shops and read lots of books to familiarize yourself with period styles and their findings.
When looking at a piece, examine it carefully both front and back. An genuinely old piece will have all the ingredients to confirm its authenticity. Many jewelry styles do tend to overlap so always check the entire piece for clues. Is the piece signed, hallmarked? Surprisingly enough a lot of antique jewelry was marked in the most unusual of places so check along the edges, inside of the bale, the pin stem and even on the back of the pin stem! You'll be amazed at what you could find and where you will find it. Suddenly a piece of jewelry that you thought was newer or made of silver plate or gold plate now may be seen in a different light as genuine antique silver or gold and have a lot of value!
A lot of old jewelry such as Victorian Jewelry was not marked. So now what? A Victorian brooch with a long pin stem extending outward is a good indication that it's early Victorian while a shorter one is of a later date. The "C" clasp is another indication that the piece is old. Remember that there are always exceptions to the rules since the "C" clasp was also used later on in Europe so take every detail into account to come to your full conclusion. Look at the hinge and the clasp of a brooch, bracelet, necklace, etc.. Does it look like a clasp used today or does it seem a bit different to you? Compare new pieces to old pieces. Does the jewelry have a brass spring ring clasp from the 1930s or a shiny gold plate clasp? Are the findings on a piece consistent with the design of that era? Those small differences could answer your questions and drastically influence the value of a piece. The tube hinge was generally used until the 1890s where the safety catch clasp became popular in the Art Deco 1920s period. Over the years the appearance of the safety catch clasp has changed so it's good to recognize the old from the new. Many clasps on old jewelry such as pins broke in time so replacement ones were soldered onto the back. All better Jewelry is soldered at some place but if the piece has raised pads soldered to the back of the Brooch where the clasp is attached then it is a replacement clasp.
Another good clue to dating a piece and determining the value of Antique and Vintage Jewelry is to look at the metal content where there might be some underneath wear, usually in back where it would rub against the clothing. Genuine Gold and Silver, even if it has wear, will not show a base metal underneath since it continues all the way through. Many costume pieces from the nineteenth century and into the Art Deco period were made of gold and/or silver over base metals such as gold over brass, silver over brass, silver over copper, gold over copper, etc. That's one way of knowing the piece is at least 60 years old and more. During the war years of the 1940s there was a shortage of base metals where it affected the jewelry industry so sterling silver was substituted. If you see a marking such as "1/20 12K on Sterling" then 1/5 of the piece is 12K gold and is likely to be from 1942 to 1945. Vintage Bakelite which is a Polymeric Plastic invented by Leo Hendrik Baekeland in 1907, became popular in jewelry design during the hardships of World War II also. There are several tests in determining Authentic Antique and Vintage Bakelite Jewelry using Formula 409, Hot Water, Simichrome Polish and a Q-Tip. Still some Bakelite such as Black Bakelite may not test positive. Since Bakelite is either cast or molded it would not have a seam line anywhere and the workmanship should look hand carved and not be crudely executed as if a stamp was used. On Vintage Bakelite brooches, the clasp would be embedded into the piece.
Fine Jewelry containing Diamonds or Precious Stones such as Rubies, Emeralds and Sapphires are either bezel-set, inset or set with prongs and will always have open-backs for maximum brightness. Air bubbles seen in stones is a clue right off that the piece is glass. Marcasites which were substituted for diamonds as early as the 1700s, regained it's popularity in the 1920s and 1930s. A higher valued marcasite piece would have better workmanship where each marcasite would be set with tiny prongs or beads versus glued in ones and because of this the stones will stay in place longer. This is also true for Rhinestones in Vintage Costume Jewelry where prong set ones are valued higher than glued in ones.
These are just some of the many tips to knowing your Jewelry. It's so helpful to learn what to look for when buying Antique and Vintage Jewelry which also can be as much fun as wearing and collecting it! Knowledge is definitely Jewelry Golden!
Further Reading:
===============
For More quality and unique Information on the topic of Vintage Jewellery, please visit the following reference site:
http://www.myjewelersplace.com/categories/Vintage-Jewellery/
When looking at a piece, examine it carefully both front and back. An genuinely old piece will have all the ingredients to confirm its authenticity. Many jewelry styles do tend to overlap so always check the entire piece for clues. Is the piece signed, hallmarked? Surprisingly enough a lot of antique jewelry was marked in the most unusual of places so check along the edges, inside of the bale, the pin stem and even on the back of the pin stem! You'll be amazed at what you could find and where you will find it. Suddenly a piece of jewelry that you thought was newer or made of silver plate or gold plate now may be seen in a different light as genuine antique silver or gold and have a lot of value!
A lot of old jewelry such as Victorian Jewelry was not marked. So now what? A Victorian brooch with a long pin stem extending outward is a good indication that it's early Victorian while a shorter one is of a later date. The "C" clasp is another indication that the piece is old. Remember that there are always exceptions to the rules since the "C" clasp was also used later on in Europe so take every detail into account to come to your full conclusion. Look at the hinge and the clasp of a brooch, bracelet, necklace, etc.. Does it look like a clasp used today or does it seem a bit different to you? Compare new pieces to old pieces. Does the jewelry have a brass spring ring clasp from the 1930s or a shiny gold plate clasp? Are the findings on a piece consistent with the design of that era? Those small differences could answer your questions and drastically influence the value of a piece. The tube hinge was generally used until the 1890s where the safety catch clasp became popular in the Art Deco 1920s period. Over the years the appearance of the safety catch clasp has changed so it's good to recognize the old from the new. Many clasps on old jewelry such as pins broke in time so replacement ones were soldered onto the back. All better Jewelry is soldered at some place but if the piece has raised pads soldered to the back of the Brooch where the clasp is attached then it is a replacement clasp.
Another good clue to dating a piece and determining the value of Antique and Vintage Jewelry is to look at the metal content where there might be some underneath wear, usually in back where it would rub against the clothing. Genuine Gold and Silver, even if it has wear, will not show a base metal underneath since it continues all the way through. Many costume pieces from the nineteenth century and into the Art Deco period were made of gold and/or silver over base metals such as gold over brass, silver over brass, silver over copper, gold over copper, etc. That's one way of knowing the piece is at least 60 years old and more. During the war years of the 1940s there was a shortage of base metals where it affected the jewelry industry so sterling silver was substituted. If you see a marking such as "1/20 12K on Sterling" then 1/5 of the piece is 12K gold and is likely to be from 1942 to 1945. Vintage Bakelite which is a Polymeric Plastic invented by Leo Hendrik Baekeland in 1907, became popular in jewelry design during the hardships of World War II also. There are several tests in determining Authentic Antique and Vintage Bakelite Jewelry using Formula 409, Hot Water, Simichrome Polish and a Q-Tip. Still some Bakelite such as Black Bakelite may not test positive. Since Bakelite is either cast or molded it would not have a seam line anywhere and the workmanship should look hand carved and not be crudely executed as if a stamp was used. On Vintage Bakelite brooches, the clasp would be embedded into the piece.
Fine Jewelry containing Diamonds or Precious Stones such as Rubies, Emeralds and Sapphires are either bezel-set, inset or set with prongs and will always have open-backs for maximum brightness. Air bubbles seen in stones is a clue right off that the piece is glass. Marcasites which were substituted for diamonds as early as the 1700s, regained it's popularity in the 1920s and 1930s. A higher valued marcasite piece would have better workmanship where each marcasite would be set with tiny prongs or beads versus glued in ones and because of this the stones will stay in place longer. This is also true for Rhinestones in Vintage Costume Jewelry where prong set ones are valued higher than glued in ones.
These are just some of the many tips to knowing your Jewelry. It's so helpful to learn what to look for when buying Antique and Vintage Jewelry which also can be as much fun as wearing and collecting it! Knowledge is definitely Jewelry Golden!
Further Reading:
===============
For More quality and unique Information on the topic of Vintage Jewellery, please visit the following reference site:
http://www.myjewelersplace.com/categories/Vintage-Jewellery/
How to Clean Your Vintage Jewelry - It Does Require Certain Precautions!
The history of jewelry - Throughout time - man (and woman) has sought to make themselves stand out from the crowd. Even animals will preen and parade around in a mating ritual. It is a natural occurrence for both man and beast.
Early man decorated himself with whatever available - sometimes seashells on a string, fish bones or even animal claws. The documented examples of “jewelry” can be dated back to around 20,000 BC. Man used whatever might make him stand out. We are not much different - only our available ornaments are much better and more diverse.
Jewelry has had many roles throughout the years - during the various periods it has always been used to establish a certain stature in society. It has also been used as religious offerings, decorations for the church and clergy, certain stones have been deemed able to ward off disease and ill fortune. Jewelry has played many roles throughout mankind’s existence. Quite honestly, it still does. What young executive on the rise does not want to sport a Rolex or other show of success? Yes, jewelry still plays a major part in our society and will continue to do so.
The history of “costume” jewelry - History of many sources credit Coco Chanel (born in 1883 as Gabrielle Bonheur Chanel) as being the first to introduce costume jewelry as an acceptable accessory. In 1910 she opened a hat shop (in France) and in 1913 she began designing and making dresses. In 1919, she opened a fashion house where a lady might go and be decked out from head to foot with clothing and all accessories - including “real” and beautiful costume jewelry! This wonderful lady also developed and released her ever popular Chanel No. 5 Perfume in @1923. When World War II was imminent - she retired (@1939) but came out of retirement in 1954 to once again dominant the fashion world. She left us a wonderful legacy when she passed in 1971.
Many years ago the Ziegfield Follies was an extraordinary show. Acts and ladies attired in costumes glittering in rhinestones parading around (much like what you would expect to see now at a Los Vegas Show). The use of these highly decorated costumes and accessories did wonders for the acceptance of glittery jewelry. As the demand for new and better costumes grew - it helped several jewelry companies flourish and grow. My research tells me that Hobe was a major contributor and supplier for the Follies. It was a good choice - Hobe designed and manufactured some outstanding piePrior to this development - costume jewelry was mostly known as fake or imitation jewelry. The people designing and selling were not considered true craftsmen. The Follies helped the industry gain a certain amount of acceptance.
Probably the biggest major development was Hollywood. As more and more stars began wearing these extravagant pieces in their films - the average person developed a desire for them. The developments in manufacturing costume jewelry had made it much cheaper and affordable for the average person now. You could go to the movies and see your favorite star and leave the movie house and head to the department store and purchase a similar piece. You too could look just like Elizabeth Taylor! Well, almost look like Elizabeth Taylor.
Back during these time periods - the average person was not well traveled. Many never traveled over a hundred miles from where they were born but - we had Hollywood and the movies to show us what was stylish. We could see what the beautiful people were wearing and we wanted to be beautiful people too!
Costume jewelry was developed many years ago. Originally, it was still hand made - often times still set in gold. The only difference would be the stones or jewels. As far back in time as 3500 BC - craftsmen discovered that gold could be heated, hammered and shaped quite easily. Silver, copper and bronze metals were also used during this era.
In the era of kingdoms and holding court - a certain standard of opulence was expected. Gems were very expensive! Labor was not a concern. If it took weeks to fashion a stone by hand - then so be it. Jewelers could be commissioned to produce these pieces for a fraction of the cost of real gems. Traveling with very valuable jewelry was not a good idea. The distance between kingdoms was often long and treacherous.
The story of Robin Hood comes to mind. I don’t think there was a lot of giving to the poor going on but I do believe a rich, gold and jewelry laden coach and entourage might find themselves suddenly surrounded by robbers and stripped of their valuables. Hence, the courtiers still needed the flashy accessories demanded by their station but who could afford to replenish such expensive treasures?
Poor kingdoms that could not afford actual gems still had to project a certain image - an industry was born! This jewelry was still well made, still beautiful and often times was much more labor intensive because of fashioning and working the raw materials into a shiny replica of the original.
As discussed earlier - true gems were expensive and hard to acquire. An alternative was needed. How to imitate the luster and brilliance of fine diamonds and gems? Finally, a process was developed where glass was ground down into a powder. It could then be colored to simulate other gems or left uncolored to for the diamond effect. It was then placed in a mold and the kiln fired. The hardened “paste” could then be cut and shaped and polished into an acceptable replica.
Countless hours were spent on these new gems but labor was cheap and many a cottage industry supplemented their meager incomes by producing these simulated treasures.
This method or “paste” was perfected by George Strass (1701 -1773). Mr. Strass developed a glittering paste made from ground lead glass, potassium and other additives that could be used to replicate different transparent stones. This mixture brought a certain brilliance and capability to refract the available light not seen before in simulated gems! He also developed formulas (by adding metal oxides and certain salts) to produce the different colors needed to simulate many of the other rare and valuable gemstones of the day. In honor of Mr. Strass - this method and resulting replicas were often called “Strass” or “Strass Glass”. This was surely a milestone in the history of our present day treasures.
My favorite contributor to the evolvement of our modern day costume jewelry was/is Daniel Swarovski. Mister Swarovski was born in Austria and into the “business”. He followed his father in this trade but he was not content with the slow tedious process of producing these stones. After almost a decade of research and trial and error - Daniel managed to produce a machine that could cut this crystal (leaded glass) with more accuracy and precision than local craftsman could ever hope to achieve. A wonderful side benefit was that not only could these stones be cut more precisely but also could be produced far faster.
Instead of days or even weeks to create the best possible stone - it could be reduced into a matter of minutes or less! Daniel Swarovski had made a major accomplishment but yet he was not satisfied. He was still dependent on suppliers for quality crystal for his process so - he began to experiment and finally developed his own recipe for fine crystal glass that had a very high lead content. This particular recipe seemed to give the perfect facet and refraction combination.
What else could one man possibly do to revolutionize his industry? What else was left? Well, there was one thing that bogged the process down quite a bit. The stones were produced at what was considered lightening speed but - quite frequently these new stones had to have a foil backing applied. Here comes the bottleneck. What does it matter if you can produce a thousand stones a day but can only apply backing to fifty? So, here comes Daniel Swarovski to the forefront once more.
He developed a means and method to vacuum plate the back of his stones with foil by machine thereby eliminating another costly and time consuming step in the production of his superior stones. Daniel could now produce many stones all in one process! Seldom has any one person done so much for his chosen field and I do have a great admiration for his abilities and ingenuity.
Swarovski stones are widely used here in the US and dominate the market. You may also hear them referred to as Austrian Crystals. His legacy still lives on and the company is alive and flourishing. In 1985, they began producing their own creations and marketing them. Currently, their designer marking is a swan and I suspect they will become highly collectable. We have the good fortune to have several pieces and they are a delight.
In @1953 - the process for creating the ever popular aurora borealis rhinestones was perfected. They are often abbreviated and called simply AB stones. This name is credited for the stones resemblance to the awesome Northern Lights displays. I cannot disagree with the analogy - simply amazing! This stone has had a very thin metal coating applied to the surface and this has an outstanding effect. Almost holographic, the stone changes color as the light changes or movement occurs. History credits this development to guess which company? Swarovski of course, with assistance duly noted from Christian Dior. These stones are widely used for some awesome results.
In 1954 - the copyright law for/applying to costume jewelry designs was passed. This was a major event in that it gave not only certain rights to the jewelry companies but also lent a certain validation to their products and efforts. No longer was costume jewelry an also ran but a thriving industry with all the rights and recognition of any industry. Costume jewelry has officially arrived!
The birth of your vintage jewelry - What had to happen for this lovely piece of art you now have in your possession to arrive? Here is one example - of course it might vary according to the article, style and time frame. Many years ago a designer came up with the idea. He painstakingly drew it out and then decided what stones and color he thought best. After many hours of checking and comparing - he would finish his final drawing. Then the drawing and specifications would go to the craftsmen that would seek to make it happen. They would spend hours on end crafting this original mold or model. Then, after they and the designer was satisfied - the mold was poured with a base metal. Then the molded piece was removed and trimmed of any excess metal and hand polished and buffed to a shiny creation.
Once this step was satisfactorily completed - then the piece was ready for it’s plating or finish. Usually, a good copper plating was applied for a sealant and bonding agent. Next, nickel plating was done for that smooth, shiny surface. Finally, after all this - we must begin the electroplating process where the final coating of gold, silver or rhodium was delivered.
Electroplating is the process of putting a metallic coating on a metal or other conducting surface by using an electric current. It is intended to improve the appearance of materials and for protection against corrosion. The item to be plated is thoroughly cleaned by dipping it in acid and alkaline cleaning solutions. Then put in a solution of the metal with which you desire to coat or plate the item. The metal in solution exists in the form of positive ions which are atoms that have lost one or more electrons. The item is then connected to the cathode or negative end of a source of the electric current. The anode or positive electric terminal or end is then connected to another conductor which is also placed in the solution.
The current flowing through acts on the metallic ions in the solution. The ions are attracted to the cathode side, and the coating is deposited on the item’s metallic surface. Of course, after each process the item must be cleaned and polished. At last, the piece is sent to the stone setter where he would hand set the stones. Of course, this would vary in difficulty depending on whether the stones were prong set, glued, dogtooth set, bezel set or even caged. Often, a piece might have several types of settings. Quite a trip for what quite often is still called fake jewelry!
Further Reading:
===============
For More quality and unique Information on the topic of Vintage Jewellery, please visit the following reference site:
http://www.myjewelersplace.com/categories/Vintage-Jewellery/
Early man decorated himself with whatever available - sometimes seashells on a string, fish bones or even animal claws. The documented examples of “jewelry” can be dated back to around 20,000 BC. Man used whatever might make him stand out. We are not much different - only our available ornaments are much better and more diverse.
Jewelry has had many roles throughout the years - during the various periods it has always been used to establish a certain stature in society. It has also been used as religious offerings, decorations for the church and clergy, certain stones have been deemed able to ward off disease and ill fortune. Jewelry has played many roles throughout mankind’s existence. Quite honestly, it still does. What young executive on the rise does not want to sport a Rolex or other show of success? Yes, jewelry still plays a major part in our society and will continue to do so.
The history of “costume” jewelry - History of many sources credit Coco Chanel (born in 1883 as Gabrielle Bonheur Chanel) as being the first to introduce costume jewelry as an acceptable accessory. In 1910 she opened a hat shop (in France) and in 1913 she began designing and making dresses. In 1919, she opened a fashion house where a lady might go and be decked out from head to foot with clothing and all accessories - including “real” and beautiful costume jewelry! This wonderful lady also developed and released her ever popular Chanel No. 5 Perfume in @1923. When World War II was imminent - she retired (@1939) but came out of retirement in 1954 to once again dominant the fashion world. She left us a wonderful legacy when she passed in 1971.
Many years ago the Ziegfield Follies was an extraordinary show. Acts and ladies attired in costumes glittering in rhinestones parading around (much like what you would expect to see now at a Los Vegas Show). The use of these highly decorated costumes and accessories did wonders for the acceptance of glittery jewelry. As the demand for new and better costumes grew - it helped several jewelry companies flourish and grow. My research tells me that Hobe was a major contributor and supplier for the Follies. It was a good choice - Hobe designed and manufactured some outstanding piePrior to this development - costume jewelry was mostly known as fake or imitation jewelry. The people designing and selling were not considered true craftsmen. The Follies helped the industry gain a certain amount of acceptance.
Probably the biggest major development was Hollywood. As more and more stars began wearing these extravagant pieces in their films - the average person developed a desire for them. The developments in manufacturing costume jewelry had made it much cheaper and affordable for the average person now. You could go to the movies and see your favorite star and leave the movie house and head to the department store and purchase a similar piece. You too could look just like Elizabeth Taylor! Well, almost look like Elizabeth Taylor.
Back during these time periods - the average person was not well traveled. Many never traveled over a hundred miles from where they were born but - we had Hollywood and the movies to show us what was stylish. We could see what the beautiful people were wearing and we wanted to be beautiful people too!
Costume jewelry was developed many years ago. Originally, it was still hand made - often times still set in gold. The only difference would be the stones or jewels. As far back in time as 3500 BC - craftsmen discovered that gold could be heated, hammered and shaped quite easily. Silver, copper and bronze metals were also used during this era.
In the era of kingdoms and holding court - a certain standard of opulence was expected. Gems were very expensive! Labor was not a concern. If it took weeks to fashion a stone by hand - then so be it. Jewelers could be commissioned to produce these pieces for a fraction of the cost of real gems. Traveling with very valuable jewelry was not a good idea. The distance between kingdoms was often long and treacherous.
The story of Robin Hood comes to mind. I don’t think there was a lot of giving to the poor going on but I do believe a rich, gold and jewelry laden coach and entourage might find themselves suddenly surrounded by robbers and stripped of their valuables. Hence, the courtiers still needed the flashy accessories demanded by their station but who could afford to replenish such expensive treasures?
Poor kingdoms that could not afford actual gems still had to project a certain image - an industry was born! This jewelry was still well made, still beautiful and often times was much more labor intensive because of fashioning and working the raw materials into a shiny replica of the original.
As discussed earlier - true gems were expensive and hard to acquire. An alternative was needed. How to imitate the luster and brilliance of fine diamonds and gems? Finally, a process was developed where glass was ground down into a powder. It could then be colored to simulate other gems or left uncolored to for the diamond effect. It was then placed in a mold and the kiln fired. The hardened “paste” could then be cut and shaped and polished into an acceptable replica.
Countless hours were spent on these new gems but labor was cheap and many a cottage industry supplemented their meager incomes by producing these simulated treasures.
This method or “paste” was perfected by George Strass (1701 -1773). Mr. Strass developed a glittering paste made from ground lead glass, potassium and other additives that could be used to replicate different transparent stones. This mixture brought a certain brilliance and capability to refract the available light not seen before in simulated gems! He also developed formulas (by adding metal oxides and certain salts) to produce the different colors needed to simulate many of the other rare and valuable gemstones of the day. In honor of Mr. Strass - this method and resulting replicas were often called “Strass” or “Strass Glass”. This was surely a milestone in the history of our present day treasures.
My favorite contributor to the evolvement of our modern day costume jewelry was/is Daniel Swarovski. Mister Swarovski was born in Austria and into the “business”. He followed his father in this trade but he was not content with the slow tedious process of producing these stones. After almost a decade of research and trial and error - Daniel managed to produce a machine that could cut this crystal (leaded glass) with more accuracy and precision than local craftsman could ever hope to achieve. A wonderful side benefit was that not only could these stones be cut more precisely but also could be produced far faster.
Instead of days or even weeks to create the best possible stone - it could be reduced into a matter of minutes or less! Daniel Swarovski had made a major accomplishment but yet he was not satisfied. He was still dependent on suppliers for quality crystal for his process so - he began to experiment and finally developed his own recipe for fine crystal glass that had a very high lead content. This particular recipe seemed to give the perfect facet and refraction combination.
What else could one man possibly do to revolutionize his industry? What else was left? Well, there was one thing that bogged the process down quite a bit. The stones were produced at what was considered lightening speed but - quite frequently these new stones had to have a foil backing applied. Here comes the bottleneck. What does it matter if you can produce a thousand stones a day but can only apply backing to fifty? So, here comes Daniel Swarovski to the forefront once more.
He developed a means and method to vacuum plate the back of his stones with foil by machine thereby eliminating another costly and time consuming step in the production of his superior stones. Daniel could now produce many stones all in one process! Seldom has any one person done so much for his chosen field and I do have a great admiration for his abilities and ingenuity.
Swarovski stones are widely used here in the US and dominate the market. You may also hear them referred to as Austrian Crystals. His legacy still lives on and the company is alive and flourishing. In 1985, they began producing their own creations and marketing them. Currently, their designer marking is a swan and I suspect they will become highly collectable. We have the good fortune to have several pieces and they are a delight.
In @1953 - the process for creating the ever popular aurora borealis rhinestones was perfected. They are often abbreviated and called simply AB stones. This name is credited for the stones resemblance to the awesome Northern Lights displays. I cannot disagree with the analogy - simply amazing! This stone has had a very thin metal coating applied to the surface and this has an outstanding effect. Almost holographic, the stone changes color as the light changes or movement occurs. History credits this development to guess which company? Swarovski of course, with assistance duly noted from Christian Dior. These stones are widely used for some awesome results.
In 1954 - the copyright law for/applying to costume jewelry designs was passed. This was a major event in that it gave not only certain rights to the jewelry companies but also lent a certain validation to their products and efforts. No longer was costume jewelry an also ran but a thriving industry with all the rights and recognition of any industry. Costume jewelry has officially arrived!
The birth of your vintage jewelry - What had to happen for this lovely piece of art you now have in your possession to arrive? Here is one example - of course it might vary according to the article, style and time frame. Many years ago a designer came up with the idea. He painstakingly drew it out and then decided what stones and color he thought best. After many hours of checking and comparing - he would finish his final drawing. Then the drawing and specifications would go to the craftsmen that would seek to make it happen. They would spend hours on end crafting this original mold or model. Then, after they and the designer was satisfied - the mold was poured with a base metal. Then the molded piece was removed and trimmed of any excess metal and hand polished and buffed to a shiny creation.
Once this step was satisfactorily completed - then the piece was ready for it’s plating or finish. Usually, a good copper plating was applied for a sealant and bonding agent. Next, nickel plating was done for that smooth, shiny surface. Finally, after all this - we must begin the electroplating process where the final coating of gold, silver or rhodium was delivered.
Electroplating is the process of putting a metallic coating on a metal or other conducting surface by using an electric current. It is intended to improve the appearance of materials and for protection against corrosion. The item to be plated is thoroughly cleaned by dipping it in acid and alkaline cleaning solutions. Then put in a solution of the metal with which you desire to coat or plate the item. The metal in solution exists in the form of positive ions which are atoms that have lost one or more electrons. The item is then connected to the cathode or negative end of a source of the electric current. The anode or positive electric terminal or end is then connected to another conductor which is also placed in the solution.
The current flowing through acts on the metallic ions in the solution. The ions are attracted to the cathode side, and the coating is deposited on the item’s metallic surface. Of course, after each process the item must be cleaned and polished. At last, the piece is sent to the stone setter where he would hand set the stones. Of course, this would vary in difficulty depending on whether the stones were prong set, glued, dogtooth set, bezel set or even caged. Often, a piece might have several types of settings. Quite a trip for what quite often is still called fake jewelry!
Further Reading:
===============
For More quality and unique Information on the topic of Vintage Jewellery, please visit the following reference site:
http://www.myjewelersplace.com/categories/Vintage-Jewellery/
Big Profits Await Those Who Collect Vintage Costume Jewelry
Authentic costume jewelry actually originated on the stages and theatres in Europe before becoming popular in the U.S. Shortly after the popularity exploded during the 1920's, American companies began setting up shop and soon dominating the industry. These same companies produced some of the most coveted collectible vintage costume necklaces, bracelets, rings, and other jewelry. Some popular American manufacturers to keep an eye out for at the flea markets include:
Coro
Eisenberg
Weiss
Trifari
Barclay
But what truly makes costume jewelry unique and potentially valuable? The very first true costume jewelry appeared on theatres throughout Europe before being brought back to the States by American G.I.'s returning home from World War I. American manufacturers began dominating the industry from the 1920's onward. Signed vintage costume necklaces, rings, and other pieces are worth more money. Some popular American companies known to produce high quality and highly collectible pieces include:
Trifari
Eisenberg
Art
Carnegie
Coventry
If you know what you are looking for and can distinguish the worthless knock-offs from the genuine Eisenberg necklaces and other top pieces, then you can literally make a great living--while having fun in the process! Value is determined by:
Rarity of Piece
Demand
Design
Quality of Construction and Materials
Current Condition
The supply of vintage jewelry varies greatly and this affects pricing in a big way. The jewelry itself was supplied by dozens of manufacturers. Batch sizes could vary dramatically from one company to the next. Larger companies like Coro and Trifari would commonly produce thousands of pieces of each design. Barclays, DeMario, and many of the smaller companies had limited facilities and thus tended to have far smaller batches. Because signed or stamped pieces from the smaller companies like McClelland are rarer, they tend to sell for more than similar pieces from the larger manufacturers like Coro. But, the other four factors will also affect price but supply is definitely a big factor in the equation. Yet even large manufacturers conjured up a small specialty batch for holidays and other special occasions. In most cases, the specialty pieces will be of higher value than others produced by the very same outfit.
A piece of jewelry can be rare but command little demand for some reason or another which will greatly affect value. While you can't give away pieces people don't want, those in demand can command several times their original purchase price. Despite having some rather odd designs, signed Miriam Haskel jewelry is in high demand right now. Potential investors need to do a little homework on the Internet to find which designs are hot and which are not in order to identify the best pieces to buy. It doesn't matter whether you like the popular designs or not--just remember that they will make you more money!
But what actually affects market demand? Without question, the design itself is one of the biggest factors that affect the demand for any piece of jewelry, costume or otherwise. While novice investors tend to focus exclusively on the signed vintage costume pieces, the unsigned one featuring unique and compelling designs are often the most profitable to collect. Collecting vintage costume jewelry for profit is complicated by the fact that most of the pieces are actually unsigned. Simply knowing what makes a great design great can actually help you identify the unsigned pieces and optimize profits. Unsigned pieces by companies like Bergere and B. David are highly prized by collectors and can be identified by their distinctive but high quality designs.
The quality of construction and materials used to make a piece of jewelry ultimately vindicate or condemn any design. The gemstones are typically the most relevant materials when it comes to the value of a particular piece of jewelry. There were some companies that were famous for using gemstones of exceptional quality though none of them would be considered precious. Bogoff, Eisenberg, and Weiss are all great investments because they almost always had great designs made with high quality stones.
Without question, Eisenberg costume jewelry is renown for being of exceptional quality and design. This makes it very hard for collectors to buy and sell it for a profit. If you are trying to find some profitable pieces to purchase at cheap prices but still command a lot with serious investors, look for jewelry made by these companies:
Danecraft
Kramer
Bogoff
Weiss
Monet
Ultimately, the overall value of any piece of costume or fine jewelry is assessed based upon its current condition. Excessive signs of wear, lost stones, and discoloration are all factors that can lower the value of a vintage necklace, ring, brooch, or any piece of jewelry. But while some degree of wear is expected, it is not the only factor that determines price. Collectors who do their homework can still make a tidy profit off of damaged or excessively worn pieces by knowing how to spot the hidden gems.
Further Reading:
===============
For More quality and unique Information on the topic of Vintage Jewellery, please visit the following reference site:
http://www.myjewelersplace.com/categories/Vintage-Jewellery/
Coro
Eisenberg
Weiss
Trifari
Barclay
But what truly makes costume jewelry unique and potentially valuable? The very first true costume jewelry appeared on theatres throughout Europe before being brought back to the States by American G.I.'s returning home from World War I. American manufacturers began dominating the industry from the 1920's onward. Signed vintage costume necklaces, rings, and other pieces are worth more money. Some popular American companies known to produce high quality and highly collectible pieces include:
Trifari
Eisenberg
Art
Carnegie
Coventry
If you know what you are looking for and can distinguish the worthless knock-offs from the genuine Eisenberg necklaces and other top pieces, then you can literally make a great living--while having fun in the process! Value is determined by:
Rarity of Piece
Demand
Design
Quality of Construction and Materials
Current Condition
The supply of vintage jewelry varies greatly and this affects pricing in a big way. The jewelry itself was supplied by dozens of manufacturers. Batch sizes could vary dramatically from one company to the next. Larger companies like Coro and Trifari would commonly produce thousands of pieces of each design. Barclays, DeMario, and many of the smaller companies had limited facilities and thus tended to have far smaller batches. Because signed or stamped pieces from the smaller companies like McClelland are rarer, they tend to sell for more than similar pieces from the larger manufacturers like Coro. But, the other four factors will also affect price but supply is definitely a big factor in the equation. Yet even large manufacturers conjured up a small specialty batch for holidays and other special occasions. In most cases, the specialty pieces will be of higher value than others produced by the very same outfit.
A piece of jewelry can be rare but command little demand for some reason or another which will greatly affect value. While you can't give away pieces people don't want, those in demand can command several times their original purchase price. Despite having some rather odd designs, signed Miriam Haskel jewelry is in high demand right now. Potential investors need to do a little homework on the Internet to find which designs are hot and which are not in order to identify the best pieces to buy. It doesn't matter whether you like the popular designs or not--just remember that they will make you more money!
But what actually affects market demand? Without question, the design itself is one of the biggest factors that affect the demand for any piece of jewelry, costume or otherwise. While novice investors tend to focus exclusively on the signed vintage costume pieces, the unsigned one featuring unique and compelling designs are often the most profitable to collect. Collecting vintage costume jewelry for profit is complicated by the fact that most of the pieces are actually unsigned. Simply knowing what makes a great design great can actually help you identify the unsigned pieces and optimize profits. Unsigned pieces by companies like Bergere and B. David are highly prized by collectors and can be identified by their distinctive but high quality designs.
The quality of construction and materials used to make a piece of jewelry ultimately vindicate or condemn any design. The gemstones are typically the most relevant materials when it comes to the value of a particular piece of jewelry. There were some companies that were famous for using gemstones of exceptional quality though none of them would be considered precious. Bogoff, Eisenberg, and Weiss are all great investments because they almost always had great designs made with high quality stones.
Without question, Eisenberg costume jewelry is renown for being of exceptional quality and design. This makes it very hard for collectors to buy and sell it for a profit. If you are trying to find some profitable pieces to purchase at cheap prices but still command a lot with serious investors, look for jewelry made by these companies:
Danecraft
Kramer
Bogoff
Weiss
Monet
Ultimately, the overall value of any piece of costume or fine jewelry is assessed based upon its current condition. Excessive signs of wear, lost stones, and discoloration are all factors that can lower the value of a vintage necklace, ring, brooch, or any piece of jewelry. But while some degree of wear is expected, it is not the only factor that determines price. Collectors who do their homework can still make a tidy profit off of damaged or excessively worn pieces by knowing how to spot the hidden gems.
Further Reading:
===============
For More quality and unique Information on the topic of Vintage Jewellery, please visit the following reference site:
http://www.myjewelersplace.com/categories/Vintage-Jewellery/
My Favorite Three Picks for the Best Antique and Vintage Jewelry Price Guides and Authors
I have been collecting Antique and Vintage Costume and Fine Jewelry for over three decades. Most of what I bought was from the Saturday and Sunday flea markets at the local drive-in theater and at a once a month massive open air antique market held in the mountains near where I grew up. I never paid much, a quarter here, a dime there and sometimes a few dollars however over the years until I really became a serious collector, I probably had no more than $500.00 in an amazing collection of over 2,500-3,000 pieces.
Over the years I have collected many types of jewelry. At first it was bracelets, then rings and when I got out of college and pursued my career as an interior designer, I found pins and earrings to be practical and suitable. In the mid-60’s to early 70’s I bought a lot of colorful and heavy “plastic” pieces and most were bracelets. I just loved the dull clunk they made when they hit against my desk… well I am sure you know where this is going… you’re right most were Bakelite. One in particular is a wonderful art deco black, red, orange, yellow and green fins clamper bracelet and it is like having a carnival on your arm. It fits great and feels sturdy andit brings me joy. It wasn’t until I received Harrice Simons-Miller 2002 third edition Official Price Guide to Costume Jewelry, that I realized the bracelet is called “Philadelphia” and has a market value of up to $5,000 making it the Holy Grail of Bakelite jewelry.
I also became quite passionate for the charm bracelets made in the 1960’s by Napier. At one point I had over 30 of them and I rarely wore them I just loved holding them. I had the colored fruit, the Asian theme, and my favorites was the marine theme with seashells and seahorses. Over the years I paid between $1.00 - $5.00 each for them and in early 2000, I sold them individually on eBay for $125.00 and up to 245.00 each. What a great return, right. Well yes but a day does not go by that I regret selling them. They gave me more happiness than the monies they brought.
As I became more sophisticated in my jewelry search I began to love all things Miriam Haskell, Eisenberg, Pennino and Boucher. All of these names seemed to come with a higher price but still affordable and all quite luxurious. Then there came Staret, McClelland-Barclay, Schreiner, Dujay, DeMario, Reja, Deja and Alfred Philippe and Alfred Spaney’s extra special pieces made for Crown Trifari. Needless to say I was smitten and would never turn back. After a while and as I was getting older, I started to understand the beauty of 19C Victorian and Art Nouveau and in particular the mourning pieces made during and after the Civil War. The Art Deco period pieces also caught my attention because of their architectural angled designs. Well enough about me…
Throughout the years it was truly guesswork as to what I should pay for a piece and then the harder part came when trying to find out how much a piece was worth. As a result I found that the public library had many jewelry price guides and I poured through them all for days on end and would pick out my next piece I was obsessing for. Through this research, I found three authors who stood out as being the best at giving the right information for just about anything you might need to know as an antique and vintage costume and fine jewelry collector or dealer.
The first is Jeanenne Bell. Jeanenne Bell has been on Antiques Roadshow as a jewelry appraiser and is one of America’s leading authorities on antique jewelry. She has written many books and the first book I bought of hers was “How to be a Jewelry Detective”. This book is filled to the brim with priceless information about the clues to solving jewelry mysteries. She gives easy to understand tips for testing materials, gem cuts, hardware and findings throughout the ages, marks and a whole lot more. I have recommended this book to literally 100’s of my buyers on eBay who may not be sure what gutta percha is, or is it ivory or bone and what is a briolette cut stone. She answers them all and she even has a small pocket size field guide to take along to the shops and flea markets.
My favorite book of hers is Collecting Victorian Jewelry which is a real treat for the eyes and is beautiful enough to be left out for others to peruse. In this book she shows an amazing range of incredible museum quality pieces of Costume and Fine jewelry. Each piece is a work of art and each has an easy to understand description and value assigned. She imparts the history associated with the Victorian era and who all of the main characters were. She enlightens the reader about this period in time that was all about romance, passion and heartache. Very good read and a very good aid to the serious period piece collector.
My next favorite author is Harrice Simons-Miller. I have two of her price guides, Costume Jewelry 2nd edition and Official Price Guide to Costume Jewelry 3rd edition. What I love about her books is that she knows her stuff as it relates to costume jewelry dating from early Art Deco up to the present. Her books are very good for identifying the major players in the costume and fashion design industries. She really clarifies what each jewelry designer’s signature look is and her photographs and descriptions will give you an edge when you are out in the field. Her values are truly representative of retail in fine antique or jewelry boutiques and give the reader the parameters as to what to spend to get your jewelry collection “fix”. She has bought from me on eBay on a couple of occasions and each piece she purchased was always a little odd and unexpected, making me think she knew of or was creating a trend which others were yet aware.
My third favorite author is Roseann Ettinger. She has a series of price guides that are not only about jewelry but other vintage collectibles with a lot of concentration on fashion and the fifties. Her jewelry price guides include her “popular” series and include “Forties and Fifties Popular Jewelry”, “Popular Jewelry of the 60’s, 70’s and 80’s” and my all time favorite of hers “1840-1940 Popular Jewelry” the revised 3rd edition. Her price guide covers jewelry pieces that you actually might come across and be able to own for not a lot of money. Unlike Bell and Simons-Miller who are showing museum quality and hard to find pieces, the pieces shown in Ettingers are really quite attainable and I have actually had many of her pieces that she has described. Her photographs are quite large making it easy to see the details of the pieces and she doesn’t dwell on the glitzier side of jewelry but the real down to earth stuff that most of our mothers and grandmothers would have worn.
There are many great costume jewelry price guides out there from Nancy Schiffer, Lillian Baker, Christie Romero for Warman’s, Cheri Simonds, Ronna Lee Atkins and more, but my first three will give the beginner or even well seasoned antique and vintage costume or fine jewelry collector or dealer a well rounded wealth of knowledge and pricing guidelines.
Further Reading:
===============
For More quality and unique Information on the topic of Vintage Jewellery, please visit the following reference site:
http://www.myjewelersplace.com/categories/Vintage-Jewellery/
Over the years I have collected many types of jewelry. At first it was bracelets, then rings and when I got out of college and pursued my career as an interior designer, I found pins and earrings to be practical and suitable. In the mid-60’s to early 70’s I bought a lot of colorful and heavy “plastic” pieces and most were bracelets. I just loved the dull clunk they made when they hit against my desk… well I am sure you know where this is going… you’re right most were Bakelite. One in particular is a wonderful art deco black, red, orange, yellow and green fins clamper bracelet and it is like having a carnival on your arm. It fits great and feels sturdy andit brings me joy. It wasn’t until I received Harrice Simons-Miller 2002 third edition Official Price Guide to Costume Jewelry, that I realized the bracelet is called “Philadelphia” and has a market value of up to $5,000 making it the Holy Grail of Bakelite jewelry.
I also became quite passionate for the charm bracelets made in the 1960’s by Napier. At one point I had over 30 of them and I rarely wore them I just loved holding them. I had the colored fruit, the Asian theme, and my favorites was the marine theme with seashells and seahorses. Over the years I paid between $1.00 - $5.00 each for them and in early 2000, I sold them individually on eBay for $125.00 and up to 245.00 each. What a great return, right. Well yes but a day does not go by that I regret selling them. They gave me more happiness than the monies they brought.
As I became more sophisticated in my jewelry search I began to love all things Miriam Haskell, Eisenberg, Pennino and Boucher. All of these names seemed to come with a higher price but still affordable and all quite luxurious. Then there came Staret, McClelland-Barclay, Schreiner, Dujay, DeMario, Reja, Deja and Alfred Philippe and Alfred Spaney’s extra special pieces made for Crown Trifari. Needless to say I was smitten and would never turn back. After a while and as I was getting older, I started to understand the beauty of 19C Victorian and Art Nouveau and in particular the mourning pieces made during and after the Civil War. The Art Deco period pieces also caught my attention because of their architectural angled designs. Well enough about me…
Throughout the years it was truly guesswork as to what I should pay for a piece and then the harder part came when trying to find out how much a piece was worth. As a result I found that the public library had many jewelry price guides and I poured through them all for days on end and would pick out my next piece I was obsessing for. Through this research, I found three authors who stood out as being the best at giving the right information for just about anything you might need to know as an antique and vintage costume and fine jewelry collector or dealer.
The first is Jeanenne Bell. Jeanenne Bell has been on Antiques Roadshow as a jewelry appraiser and is one of America’s leading authorities on antique jewelry. She has written many books and the first book I bought of hers was “How to be a Jewelry Detective”. This book is filled to the brim with priceless information about the clues to solving jewelry mysteries. She gives easy to understand tips for testing materials, gem cuts, hardware and findings throughout the ages, marks and a whole lot more. I have recommended this book to literally 100’s of my buyers on eBay who may not be sure what gutta percha is, or is it ivory or bone and what is a briolette cut stone. She answers them all and she even has a small pocket size field guide to take along to the shops and flea markets.
My favorite book of hers is Collecting Victorian Jewelry which is a real treat for the eyes and is beautiful enough to be left out for others to peruse. In this book she shows an amazing range of incredible museum quality pieces of Costume and Fine jewelry. Each piece is a work of art and each has an easy to understand description and value assigned. She imparts the history associated with the Victorian era and who all of the main characters were. She enlightens the reader about this period in time that was all about romance, passion and heartache. Very good read and a very good aid to the serious period piece collector.
My next favorite author is Harrice Simons-Miller. I have two of her price guides, Costume Jewelry 2nd edition and Official Price Guide to Costume Jewelry 3rd edition. What I love about her books is that she knows her stuff as it relates to costume jewelry dating from early Art Deco up to the present. Her books are very good for identifying the major players in the costume and fashion design industries. She really clarifies what each jewelry designer’s signature look is and her photographs and descriptions will give you an edge when you are out in the field. Her values are truly representative of retail in fine antique or jewelry boutiques and give the reader the parameters as to what to spend to get your jewelry collection “fix”. She has bought from me on eBay on a couple of occasions and each piece she purchased was always a little odd and unexpected, making me think she knew of or was creating a trend which others were yet aware.
My third favorite author is Roseann Ettinger. She has a series of price guides that are not only about jewelry but other vintage collectibles with a lot of concentration on fashion and the fifties. Her jewelry price guides include her “popular” series and include “Forties and Fifties Popular Jewelry”, “Popular Jewelry of the 60’s, 70’s and 80’s” and my all time favorite of hers “1840-1940 Popular Jewelry” the revised 3rd edition. Her price guide covers jewelry pieces that you actually might come across and be able to own for not a lot of money. Unlike Bell and Simons-Miller who are showing museum quality and hard to find pieces, the pieces shown in Ettingers are really quite attainable and I have actually had many of her pieces that she has described. Her photographs are quite large making it easy to see the details of the pieces and she doesn’t dwell on the glitzier side of jewelry but the real down to earth stuff that most of our mothers and grandmothers would have worn.
There are many great costume jewelry price guides out there from Nancy Schiffer, Lillian Baker, Christie Romero for Warman’s, Cheri Simonds, Ronna Lee Atkins and more, but my first three will give the beginner or even well seasoned antique and vintage costume or fine jewelry collector or dealer a well rounded wealth of knowledge and pricing guidelines.
Further Reading:
===============
For More quality and unique Information on the topic of Vintage Jewellery, please visit the following reference site:
http://www.myjewelersplace.com/categories/Vintage-Jewellery/
The Era of Vintage Jewelry
Vintage jewelry alias Estate jewelry is becoming quiet popular in west and especially in U S. vintage jewelry comes in wide range; this may range from the cheapest or most inexpensive to the most costly. In spite of, heavy and expensive prices, there’s no dearth of enthusiastic, who enjoy collecting antique jewelry.
The period of Vintage jewelry includes many eras and decades. Vintage jewelry includes such decades. Each era is known for its special characteristics, styles and designs. Early Victorian, late Victorian, Mid-Victorian, Art Nouveau, Georgian, Arts and Crafts, Art Deco, Retro and Edwardian are all such eras or periods.
Early Victorian (1837-1850): this era was mostly nature – inspired style and designs. These were etched delicately and intricately into gold. Everyday jewelry included lockets and brooches whereas, evening jewelry compromised diamonds and colored gemstone.
Mid-Victorian (1860-1880): also known as Grand era. This era mainly had grave and solemn design following the demise of Queen Victoria’s husband. These mourning jewelry features dark and heavy stones. Jet, amethyst, garnet and onyx are common to this period. Creative and much more colorful designs featuring mosaics, shells and colorful gemstones were also born in this period.
Late Victorian (1885-1990): Aesthetic period saw the use of diamonds and more bright and feminine gemstone like, peridot, sapphire and spinel. Among the most popular were the crescent and star designs besides elaborate and beautiful hat pins.
Arts and Crafts jewelry (1894-1923): Mainly simple in design and pattern, colorful and uncut stones was the theme of this period. This era faced the rebel to return to intricate and delicate jewelry designs and handmade crafts, due to the arrival of Industrial Revolution.
Retro jewelry (1940s): Jewelry of this era is mainly bold, colorful and elaborate. This was inspired mainly from Hollywood. Bracelets, cocktail rings, necklaces, watches and charm bracelet are common to this era.
One may find collection ranging from exceptional and rare fine jewelry, earrings, engagement rings and estate diamonds. Also included are classical sapphires, garnets, emeralds and fine and glittering gems and stones.
Antique and vintage jewelry is available for women, men and children. Featuring wide variety of articles and items and sometime even contemporary.
Further Reading:
===============
For More quality and unique Information on the topic of Vintage Jewellery, please visit the following reference site:
http://www.myjewelersplace.com/categories/Vintage-Jewellery/
The period of Vintage jewelry includes many eras and decades. Vintage jewelry includes such decades. Each era is known for its special characteristics, styles and designs. Early Victorian, late Victorian, Mid-Victorian, Art Nouveau, Georgian, Arts and Crafts, Art Deco, Retro and Edwardian are all such eras or periods.
Early Victorian (1837-1850): this era was mostly nature – inspired style and designs. These were etched delicately and intricately into gold. Everyday jewelry included lockets and brooches whereas, evening jewelry compromised diamonds and colored gemstone.
Mid-Victorian (1860-1880): also known as Grand era. This era mainly had grave and solemn design following the demise of Queen Victoria’s husband. These mourning jewelry features dark and heavy stones. Jet, amethyst, garnet and onyx are common to this period. Creative and much more colorful designs featuring mosaics, shells and colorful gemstones were also born in this period.
Late Victorian (1885-1990): Aesthetic period saw the use of diamonds and more bright and feminine gemstone like, peridot, sapphire and spinel. Among the most popular were the crescent and star designs besides elaborate and beautiful hat pins.
Arts and Crafts jewelry (1894-1923): Mainly simple in design and pattern, colorful and uncut stones was the theme of this period. This era faced the rebel to return to intricate and delicate jewelry designs and handmade crafts, due to the arrival of Industrial Revolution.
Retro jewelry (1940s): Jewelry of this era is mainly bold, colorful and elaborate. This was inspired mainly from Hollywood. Bracelets, cocktail rings, necklaces, watches and charm bracelet are common to this era.
One may find collection ranging from exceptional and rare fine jewelry, earrings, engagement rings and estate diamonds. Also included are classical sapphires, garnets, emeralds and fine and glittering gems and stones.
Antique and vintage jewelry is available for women, men and children. Featuring wide variety of articles and items and sometime even contemporary.
Further Reading:
===============
For More quality and unique Information on the topic of Vintage Jewellery, please visit the following reference site:
http://www.myjewelersplace.com/categories/Vintage-Jewellery/
Vintage Jewelry
As kids or even as adults, we may be fascinated to look and try on our grandmother's or great grandmother's jewelries that have been carefully stored and handed down to our mothers and to us. For all we know these vintage jewelries may be worth something so don't just throw them out just because they look old and out of style. Besides, you have to admit that the fashion of yesterday is slowly coming back again and people are always looking for trinkets that are old and antique. They do look great and unique.
Since we may not be experts when it comes to dating vintage jewelry that may have been handed down to us, it is important that we do some research about it. The first thing that you could do would be to look for some designer marks or maker's mark. Though not all vintage jewelry always have this mark and it doesn't follow that without a designer's mark your vintage jewelry has no value. You could locate this at the clasp or at the back of the piece.
You could also ask the person who handed it down to you like your grandmother or mother especially if they are still alive to have an idea of its history and when it was probably made. They are most likely the ones to know how old this piece of jewelry is. If it has stones on it, examine them if they are real or fancy. It would be better though to have it really examined by a jeweler especially if you are not that knowledgeable when it comes to these matters.
To find out more about your vintage jewelry you could always visit your local library for resources and materials. You could also find a lot of websites online dedicated to vintage jewelry. If you were able to find a maker's mark, search for it. You could even bring along your jewelry to be able to compare it with similar pictures that you will find.
Vintage jewelry in one way or another especially if kept in good condition has some value. It is important that if you intend to clean them, you clean them carefully to preserve and not to destroy its antique look. Utilizing a baby toothbrush is ideal since these are made with very soft bristles. It is best to clean dry and not use wet solutions if possible. If you want to remove smudges or marks on rhinestones, you can utilize a cotton swab dipped a bit in a mild solution of water and liquid soap. Of course, you need to gently do this since rhinestones would be more damaged with moisture and wetness.
Further Reading:
===============
For More quality and unique Information on the topic of Vintage Jewellery, please visit the following reference site:
http://www.myjewelersplace.com/categories/Vintage-Jewellery/
Since we may not be experts when it comes to dating vintage jewelry that may have been handed down to us, it is important that we do some research about it. The first thing that you could do would be to look for some designer marks or maker's mark. Though not all vintage jewelry always have this mark and it doesn't follow that without a designer's mark your vintage jewelry has no value. You could locate this at the clasp or at the back of the piece.
You could also ask the person who handed it down to you like your grandmother or mother especially if they are still alive to have an idea of its history and when it was probably made. They are most likely the ones to know how old this piece of jewelry is. If it has stones on it, examine them if they are real or fancy. It would be better though to have it really examined by a jeweler especially if you are not that knowledgeable when it comes to these matters.
To find out more about your vintage jewelry you could always visit your local library for resources and materials. You could also find a lot of websites online dedicated to vintage jewelry. If you were able to find a maker's mark, search for it. You could even bring along your jewelry to be able to compare it with similar pictures that you will find.
Vintage jewelry in one way or another especially if kept in good condition has some value. It is important that if you intend to clean them, you clean them carefully to preserve and not to destroy its antique look. Utilizing a baby toothbrush is ideal since these are made with very soft bristles. It is best to clean dry and not use wet solutions if possible. If you want to remove smudges or marks on rhinestones, you can utilize a cotton swab dipped a bit in a mild solution of water and liquid soap. Of course, you need to gently do this since rhinestones would be more damaged with moisture and wetness.
Further Reading:
===============
For More quality and unique Information on the topic of Vintage Jewellery, please visit the following reference site:
http://www.myjewelersplace.com/categories/Vintage-Jewellery/
Unique Vintage Jewelry as Trendy Jewelry in Business
Classic vintage jewelry has always been an eye catcher and what's more, any woman can wear it and look good in it. Today this classic jewelry has also become trendy jewelry for the modern world. The retro, antique looks of vintage jewelry are just about right for it to be considered as trendy jewelry. There was a time when this type of jewelry was considered valuable and collectible, but not today. Today this kind of jewelry is taken as trendy jewelry that the fashionable, chic, rich and even the common man wear. Here are some tips on how you can get you hands on a piece of vintage jewelry:
Basic knowledge
Wanting to own a piece of vintage jewelry to use it as trendy jewelry is a great idea. However if you are going to scout around shops to buy a nice piece for yourself then you will need to have some basic knowledge about antique jewelry likes it's history and the different fashions of the different eras. You should also know the basic differences between Art Deco and Victorian jewelry. This knowledge could help you get excellent bargains at stores.
Become a jewelry connoisseur
If you are really interested in vintage jewelry to wear it as trendy jewelry or simply to collect it, becoming somewhat of an expert on the subject could help a lot. This way you could evaluate the quality and the craftsmanship of the piece before you buy it.
Browse around
Consignment shops are probably the best place to look for trendy jewelry, especially if it is the antique or the vintage kind that you are looking for. These shops most often have personal collections that are donated by people or families. A lot of the times this jewelry is donated as they do not know the actual value of the jewelry that they are giving away.
Further Reading:
===============
For More quality and unique Information on the topic of Vintage Jewellery, please visit the following reference site:
http://www.myjewelersplace.com/categories/Vintage-Jewellery/
Basic knowledge
Wanting to own a piece of vintage jewelry to use it as trendy jewelry is a great idea. However if you are going to scout around shops to buy a nice piece for yourself then you will need to have some basic knowledge about antique jewelry likes it's history and the different fashions of the different eras. You should also know the basic differences between Art Deco and Victorian jewelry. This knowledge could help you get excellent bargains at stores.
Become a jewelry connoisseur
If you are really interested in vintage jewelry to wear it as trendy jewelry or simply to collect it, becoming somewhat of an expert on the subject could help a lot. This way you could evaluate the quality and the craftsmanship of the piece before you buy it.
Browse around
Consignment shops are probably the best place to look for trendy jewelry, especially if it is the antique or the vintage kind that you are looking for. These shops most often have personal collections that are donated by people or families. A lot of the times this jewelry is donated as they do not know the actual value of the jewelry that they are giving away.
Further Reading:
===============
For More quality and unique Information on the topic of Vintage Jewellery, please visit the following reference site:
http://www.myjewelersplace.com/categories/Vintage-Jewellery/
Where to Locate Your Vintage Jewelry in Religion
Vintage jewelry has been in vogue since times immemorial. Ever since man learnt the art of separating common metals from precious stones, the use of jewelry grew four folds and it got the required attention to make it an overnight celebrity. It is interesting to note that the use of precious stones has been known to add glamour to formal occasions and has thus been considered a lasting fashion statement. Likewise, vintage jewelry has gown leaps and bounds and is perhaps the most sought after item in the world of fashion accessory. Now, the big question here is the location. Where can you find an authentic piece of vintage jewelry? Let us go ahead and explore, for the answers are sure to come.
Locate an Antique jewelry dealer
One of the most common places wherein you can get some information about your classy vintage jewelry is through an antique dealer. These dealers have a lot of information in terms of the exact location and varieties of vintage jewelry and can easily help you find even those items which you though had become obsolete with time. These dealers sit in various shops and are armed with the relevant contacts as well as written material, which would eventually lead you to your precious jewelry. So, go right ahead and locate a suitable dealer. He can be sitting in your locality-you just need to find him.
Search on the World Wide Web
With the coming of the internet, a lot has changed and the world has actually become a small place to live in. You can now approach a person sitting on the North Pole with just a push of a button. If you are in search of authentic vintage jewelry, you simply need to log in to the internet and do some research. You can go to Ebay and other related sights and get the jewelry of your choice. You can also get a wide range through various online secured sites.
Find relevant shops
Vintage jewelry is facts catching the likes of the fashion world and is being considered the next fashion statement. In order to be in touch with the latest in vintage jewelry, it is advisable that you locate a relevant shop and get yourself hooked to those stores which have a unique collection of related items. With time and in due course, you would be able to get yourself an authentic piece of related jewelry. At the same time, it is important to remember that these stores have the capability to get what you need in a short span of time.
Keep a sharp lookout for relevant literature
If you have the desire to get yourself a relevant piece of vintage jewelry, you need to keep yourself in sync with the latest by browsing through various magazines and related literature. You would be surprised to find that vintage jewelry can also be seen in various fashion shows and related parties. It is obvious that the rage for authentic vintage jewelry is on the rise. With the increase in demand, it should not be problem to gift one to your beloved.
Further Reading:
===============
For More quality and unique Information on the topic of Vintage Jewellery, please visit the following reference site:
http://www.myjewelersplace.com/categories/Vintage-Jewellery/
Locate an Antique jewelry dealer
One of the most common places wherein you can get some information about your classy vintage jewelry is through an antique dealer. These dealers have a lot of information in terms of the exact location and varieties of vintage jewelry and can easily help you find even those items which you though had become obsolete with time. These dealers sit in various shops and are armed with the relevant contacts as well as written material, which would eventually lead you to your precious jewelry. So, go right ahead and locate a suitable dealer. He can be sitting in your locality-you just need to find him.
Search on the World Wide Web
With the coming of the internet, a lot has changed and the world has actually become a small place to live in. You can now approach a person sitting on the North Pole with just a push of a button. If you are in search of authentic vintage jewelry, you simply need to log in to the internet and do some research. You can go to Ebay and other related sights and get the jewelry of your choice. You can also get a wide range through various online secured sites.
Find relevant shops
Vintage jewelry is facts catching the likes of the fashion world and is being considered the next fashion statement. In order to be in touch with the latest in vintage jewelry, it is advisable that you locate a relevant shop and get yourself hooked to those stores which have a unique collection of related items. With time and in due course, you would be able to get yourself an authentic piece of related jewelry. At the same time, it is important to remember that these stores have the capability to get what you need in a short span of time.
Keep a sharp lookout for relevant literature
If you have the desire to get yourself a relevant piece of vintage jewelry, you need to keep yourself in sync with the latest by browsing through various magazines and related literature. You would be surprised to find that vintage jewelry can also be seen in various fashion shows and related parties. It is obvious that the rage for authentic vintage jewelry is on the rise. With the increase in demand, it should not be problem to gift one to your beloved.
Further Reading:
===============
For More quality and unique Information on the topic of Vintage Jewellery, please visit the following reference site:
http://www.myjewelersplace.com/categories/Vintage-Jewellery/
Secrets to Collecting Antique & Vintage Jewelry at 20% of Market Value
Over the past 35 years I have collected antique and vintage signed and unsigned costume and fine jewelry and through this experience I have found many ways to find and acquire the most amazing and collectible pieces, having values far higher than what I paid.
My tried and true secrets have worked and as a result I own an extraordinary collection of mostly signed and book pieces dating from the late 1800's up tio the present. I have acquired signed and unsigned Miriam Haskell (some of which were developed for Coco Chanel and have even been featured in Chanel print ads from the late 1930's and 40's),Schiaparelli, Pennino, McClelland-Barclay, Alfred Philippe for Trifari, DeMario, and more of the most sought after names in the antique and vintage jewelry genre.
There are three secrets I employ to acquire such desirable pieces.
The first secret is aligning myself with the companies that sell out estates from the home of the deceased. I create relationships with the owners of these companies and ask if I can inspect all jewelry (whether costume or fine)prior to the estate sale dates. In exchange I help publicize their upcoming sale by notifying antique dealers, shop owners and specialty store retailers who may be in the market for great furniture, rugs and accessories. To the estate disposal companies this help is invaluable as it raises their chances of getting better than fair market value as they are going to be selling to resellers. There is a second part to this secret and that is that it also works with auctioneers who do general auctions of household and personal items. Once you have developed these relationships, they will call prior to an auction and sell to you before the auction preview at a low box lot price.
The second secret is to align yourself with pawn shop owners. They do not sell costume jewelry which to them has really no intrinsic value but will offer a bulk price for costume jewelry brought in by folks and for a small profit sell it to me. I have acquired the most amazing pieces this way. A person has unfortunately hit a rough spot and needs cash and will usually clean out all of their drawers which may include a lot of fine but most likely more costume jewelry. The pawnbroker knows they have an instant sale to me of any and all costume jewelry and most likely sell it to me as a box lot. The person needing the money wins, the pawnbroker wins and I really win, because many of the items have been in the family for years and may date to the late 30's or older. Some may be trash but there is always at least one or two pieces that made the transaction a success.
The third secret and one that takes tact and sensitivity is when a widower or children of a recently deceased family member is trying to move on and feels the need to donate or "clean out" their belongings and personal affects. The family hears of me through an ad I run in the local newspaper or "Pennysaver magazine" stating that I pay cash for any costume jewelry. The family will call and I always give them a more than fair price for the items they have and they are pleased and I have found more wonderful treasures to add to my collection.
All in all, after a few years of using the above secrets people will just come to know you as the "jewelry lady" and the calls will consistently come and the jewelry selections will continue to get better and better.
Good Luck in your treasure hunt and jewelry quest!!!
Further Reading:
===============
For More quality and unique Information on the topic of Vintage Jewellery, please visit the following reference site:
http://www.myjewelersplace.com/categories/Vintage-Jewellery/
My tried and true secrets have worked and as a result I own an extraordinary collection of mostly signed and book pieces dating from the late 1800's up tio the present. I have acquired signed and unsigned Miriam Haskell (some of which were developed for Coco Chanel and have even been featured in Chanel print ads from the late 1930's and 40's),Schiaparelli, Pennino, McClelland-Barclay, Alfred Philippe for Trifari, DeMario, and more of the most sought after names in the antique and vintage jewelry genre.
There are three secrets I employ to acquire such desirable pieces.
The first secret is aligning myself with the companies that sell out estates from the home of the deceased. I create relationships with the owners of these companies and ask if I can inspect all jewelry (whether costume or fine)prior to the estate sale dates. In exchange I help publicize their upcoming sale by notifying antique dealers, shop owners and specialty store retailers who may be in the market for great furniture, rugs and accessories. To the estate disposal companies this help is invaluable as it raises their chances of getting better than fair market value as they are going to be selling to resellers. There is a second part to this secret and that is that it also works with auctioneers who do general auctions of household and personal items. Once you have developed these relationships, they will call prior to an auction and sell to you before the auction preview at a low box lot price.
The second secret is to align yourself with pawn shop owners. They do not sell costume jewelry which to them has really no intrinsic value but will offer a bulk price for costume jewelry brought in by folks and for a small profit sell it to me. I have acquired the most amazing pieces this way. A person has unfortunately hit a rough spot and needs cash and will usually clean out all of their drawers which may include a lot of fine but most likely more costume jewelry. The pawnbroker knows they have an instant sale to me of any and all costume jewelry and most likely sell it to me as a box lot. The person needing the money wins, the pawnbroker wins and I really win, because many of the items have been in the family for years and may date to the late 30's or older. Some may be trash but there is always at least one or two pieces that made the transaction a success.
The third secret and one that takes tact and sensitivity is when a widower or children of a recently deceased family member is trying to move on and feels the need to donate or "clean out" their belongings and personal affects. The family hears of me through an ad I run in the local newspaper or "Pennysaver magazine" stating that I pay cash for any costume jewelry. The family will call and I always give them a more than fair price for the items they have and they are pleased and I have found more wonderful treasures to add to my collection.
All in all, after a few years of using the above secrets people will just come to know you as the "jewelry lady" and the calls will consistently come and the jewelry selections will continue to get better and better.
Good Luck in your treasure hunt and jewelry quest!!!
Further Reading:
===============
For More quality and unique Information on the topic of Vintage Jewellery, please visit the following reference site:
http://www.myjewelersplace.com/categories/Vintage-Jewellery/
Tips On Finding Vintage Jewelry
Genuine vintage jewelry and new jewelry that is made to look Vintage is always in fashion. We have seen the big names in Jewelry design like Cartier who fortifies the trend with the release of their orchid line. The Orchid line from Cartier reminds us of those necklaces that we used to rummage through in our grandmother's jewelry boxes. Vintage jewelry is characterized by different styles that have inspired the era that they were in. For example, in the 1920s and 1930s when the flapper girl movement was taking hold of the social scene, we see jewelry styles like long pearl necklaces and heavily studded pendants, brooches and rings. Cocktail rings with huge stones (which have been very famous lately) are seen worn on dainty fingers to signify style and in a way financial standing.
None the less, vintage jewelry has indeed increased in popularity even though they have always been a staple in the market. Long before they got back into 'fashion's' good graces, tons of beautiful and valuable vintage jewelry have been found on sale in flee markets and street fares. The trick is to get your hands on the best ones for the lowest price possible. Below are a few tips that will help you land the best price for vintage jewelry.
TAKE THE DAY OFF - Be the whole of Sunday or the entire weekend itself, vintage jewelry shopping will definitely take up your whole day, if not more. If you are serious about having the best finds, you need to be ready in spending time looking around. Most flee markets are huge, they can cover up entire parking lots and maybe even bigger spaces, in short, when shopping for a thing in a flee market, you need to look around before you can find anything you really want - and the looking around part can take a long time. Flea markets are one good source of Vintage jewelry; another is Vintage shops located all over the country. They are most often tucked away in side streets and secluded area. If you do not know any vintage stores in your locality, then you better start looking.
CURB YOUR ENTHUSIASM - Well, at least attempt to bluff. Don't show too much interest. If you do find something you like, act nonchalant about it - as if it's the 100th similar piece you have seen that day. Ask casually and throw a few negative comments on the jewelry's way. Why do this? Vendors pick up on interested customers and in a place like a flea market or a vintage store where there is no fixed price; haggling is as natural as breathing. Another important thing is to haggle; these vendors sell their products for the highest possible price which means that they can still significantly lower the asking price.
KEEN EYE - Make sure that you are getting a piece that doesn't have a lot of damage. If it does, call the damage to the attention of the seller, this way he or she can give you further discount. Do not at any point purchase something that is clearly damaged and irreparable. If you do so, you are only loosing money instead of gaining something by making an investment in broken jewelry.
Further Reading:
===============
For More quality and unique Information on the topic of Vintage Jewellery, please visit the following reference site:
http://www.myjewelersplace.com/categories/Vintage-Jewellery/
None the less, vintage jewelry has indeed increased in popularity even though they have always been a staple in the market. Long before they got back into 'fashion's' good graces, tons of beautiful and valuable vintage jewelry have been found on sale in flee markets and street fares. The trick is to get your hands on the best ones for the lowest price possible. Below are a few tips that will help you land the best price for vintage jewelry.
TAKE THE DAY OFF - Be the whole of Sunday or the entire weekend itself, vintage jewelry shopping will definitely take up your whole day, if not more. If you are serious about having the best finds, you need to be ready in spending time looking around. Most flee markets are huge, they can cover up entire parking lots and maybe even bigger spaces, in short, when shopping for a thing in a flee market, you need to look around before you can find anything you really want - and the looking around part can take a long time. Flea markets are one good source of Vintage jewelry; another is Vintage shops located all over the country. They are most often tucked away in side streets and secluded area. If you do not know any vintage stores in your locality, then you better start looking.
CURB YOUR ENTHUSIASM - Well, at least attempt to bluff. Don't show too much interest. If you do find something you like, act nonchalant about it - as if it's the 100th similar piece you have seen that day. Ask casually and throw a few negative comments on the jewelry's way. Why do this? Vendors pick up on interested customers and in a place like a flea market or a vintage store where there is no fixed price; haggling is as natural as breathing. Another important thing is to haggle; these vendors sell their products for the highest possible price which means that they can still significantly lower the asking price.
KEEN EYE - Make sure that you are getting a piece that doesn't have a lot of damage. If it does, call the damage to the attention of the seller, this way he or she can give you further discount. Do not at any point purchase something that is clearly damaged and irreparable. If you do so, you are only loosing money instead of gaining something by making an investment in broken jewelry.
Further Reading:
===============
For More quality and unique Information on the topic of Vintage Jewellery, please visit the following reference site:
http://www.myjewelersplace.com/categories/Vintage-Jewellery/
Create Unique Vintage Jewelry
Do you want to make one of a kind pieces of jewelry?.. Do you like some of the older pieces?.. then try creating some unique vintage jewelry and get selling!
One of your best sources of advertisement, are your family and friends.. they are your best supporters and are in your corner for sure!
Why not make them some jewelry, that is one of a kind and reusing some older pieces, such as old beads or stones. You can go to yard sales, garage sales, church bazaars, antique stores, 2nd hand stores, even online... just about anywhere, and you will find baskets of broken necklaces, broaches, earrings and more.
Get creative, and don't discard a piece because the clasp is broken or a few beads are missing. You can take apart these pieces and make a new piece by adding some of your own beads or stones. Or keep it simple, especially if you want to show off one vintage stone, try putting it by itself as a pendant on a nice chain.
The personality of your friends and family should be considered as well, your great aunt Nellie at 82 years old is not likely to wear the latest mood stone or ankle bracelets!.. If you want your friends and relatives to advertise for you, make them something they will enjoy wearing, suits their personality, and give it to them as a gift. They are more likely to show it off and pass out your business cards if they love what you made for them.
If you are wanting to make the leap from jewelry hobby to jewelry business, then you have to take the time to take this first step and invest the time in original pieces for your friends and family. This is a way to get yourself known as your friends and family show off their wearable art at work, with friends, traveling... it is a small investment to pay to get your name out there.
You can also check online for great supplies, there are many sources of metals, such as gold and silver as well as beads, chains and more.. You can get everything you need without leaving your home!.. or you can go treasure hunting locally, which ever way you shop for your supplies, have fun, get creating, and get inspired to make some unique vintage jewelry.
Further Reading:
===============
For More quality and unique Information on the topic of Vintage Jewellery, please visit the following reference site:
http://www.myjewelersplace.com/categories/Vintage-Jewellery/
One of your best sources of advertisement, are your family and friends.. they are your best supporters and are in your corner for sure!
Why not make them some jewelry, that is one of a kind and reusing some older pieces, such as old beads or stones. You can go to yard sales, garage sales, church bazaars, antique stores, 2nd hand stores, even online... just about anywhere, and you will find baskets of broken necklaces, broaches, earrings and more.
Get creative, and don't discard a piece because the clasp is broken or a few beads are missing. You can take apart these pieces and make a new piece by adding some of your own beads or stones. Or keep it simple, especially if you want to show off one vintage stone, try putting it by itself as a pendant on a nice chain.
The personality of your friends and family should be considered as well, your great aunt Nellie at 82 years old is not likely to wear the latest mood stone or ankle bracelets!.. If you want your friends and relatives to advertise for you, make them something they will enjoy wearing, suits their personality, and give it to them as a gift. They are more likely to show it off and pass out your business cards if they love what you made for them.
If you are wanting to make the leap from jewelry hobby to jewelry business, then you have to take the time to take this first step and invest the time in original pieces for your friends and family. This is a way to get yourself known as your friends and family show off their wearable art at work, with friends, traveling... it is a small investment to pay to get your name out there.
You can also check online for great supplies, there are many sources of metals, such as gold and silver as well as beads, chains and more.. You can get everything you need without leaving your home!.. or you can go treasure hunting locally, which ever way you shop for your supplies, have fun, get creating, and get inspired to make some unique vintage jewelry.
Further Reading:
===============
For More quality and unique Information on the topic of Vintage Jewellery, please visit the following reference site:
http://www.myjewelersplace.com/categories/Vintage-Jewellery/
Thursday, March 19, 2009
Weiss Vintage Jewellery
Weiss has always been one of the most prestigious names associated with costume jewellery. In fact, the name Weiss is on a par with some of the great designers such as, Eisenberg and Boucher. Albert Weiss was the driving force behind the Weiss company, but unfortunately they ceased trading several decades ago. Weiss vintage jewellery is still available to purchase today.
As with any type of vintage jewellery, there is always a market. Buyers like to think that they are buying a piece of history, whether it is an original or a copy of the original. At the height of the popularity Weiss jewellery knew their market and their buyers needs very well. They created two initial lines, an expensive high end line and a less expensive low end line.......................
For full article, please visit the following link:
Weiss Vintage Jewellery
Further Reading:
===============
For More quality and unique Information on the topic of Vintage Jewellery, please visit the following reference site:
http://www.myjewelersplace.com/categories/Vintage-Jewellery/
As with any type of vintage jewellery, there is always a market. Buyers like to think that they are buying a piece of history, whether it is an original or a copy of the original. At the height of the popularity Weiss jewellery knew their market and their buyers needs very well. They created two initial lines, an expensive high end line and a less expensive low end line.......................
For full article, please visit the following link:
Weiss Vintage Jewellery
Further Reading:
===============
For More quality and unique Information on the topic of Vintage Jewellery, please visit the following reference site:
http://www.myjewelersplace.com/categories/Vintage-Jewellery/
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